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06.07.2010
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30.267
"Telephone Conversation"

"Telephone Conversation"


[Pam:] Well -just . . . operator? Hold for a minute, please . . .
[FZ:] Hello?
[Operator:] Yes, sir . . .
[FZ:] Ah, can you call 6-7-8-9-8-6-6?
[Operator:] Same area code?
[FZ:] Yes
[Operator:] Alright
[FZ:] Is that Vickie?
[Pam:] Yeah . . . He's gonna bump you off yet, he's got a gun, you know . . . (heh heh heh . . . ) If he didn't get ya in Laurel Canyon, he won't get you here
[Vickie:] Hello?
[Pam:] Vickie?
[Vickie:] Yeah
[Pam:] What's happening?
[Vickie:] Listen: your father has called me up this . . .
[Pam:] Now look, just don't panic but just tell me . . .
[Vickie:] I'm not panicking!
[Pam:] OK
[Vickie:] I think my phone's tapped too
[Pam:] Well don't worry, that's quite alright
[Vickie:] Alright . . . Your father called me up this afternoon
[Pam:] Just a second . . .
 
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06.07.2010
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30.267
"Tell Me You Love Me"

"Tell Me You Love Me"



Tell me you love me, tell me you love me
Like I want you to
Tell me you love me, tell me you love me
Girl... Girl... Girl...
I love you so hard now, I'm cryin' for you
Don't make me lose my pride
I want to come inside
And grab ahold of you, thank you
Grab ahold of you
Tell me you love me, tell me you love me
Like I want you to
Tell me you love me, tell me you love me
Girl... Girl... Girl...
I want to feel it, give me your love now
Don't make me steal it, don't make me steal it
Tell me you love me, tell me you love me
Tell me you love me, tell me you love me
Tell me you love me, tell me you love me
Tell me you love me, tell me you love me
Tell me you love me, tell me you love me
Like I want you to
Tell me you love me, tell me you love me
Girl. .. Girl.. . Girl...
I love you so hard now,
I'm cryin' for you
Burnin'with fire,
I gotta hot desire
'Cause I gotta make love with you
'Cause I gotta make love with you
I gotta make love with you
'Cause I gotta make love with you
Tell me you love me, like I want you to
Tell me you love me, like I want you to
Tell me you love me, like I want you to
 
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06.07.2010
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"Tengo Na Minchia Tanta"

"Tengo Na Minchia Tanta"



Ah, tengo na minchia tanta
Tengo na minchia accussi'
Devi usare un pollo
Devi usare un pollo
Se me la vuoi tastar

Tengo na minchia tanta
Tengo na minchia accussi'
Tengo na minchia tanta
Tengo na minchia accussi'
Devi usare un pollo
Se me la vuoi misurar
Devi usare un pollo
Se me la vuoi tastar

Tengo na minchia tanta
Tengo na minchia accussi'
Tengo na minchia tanta
Tengo na minchia accussi'
Guarda che se la mangia
E mentre se la sta a pappa'
Chiedimi che cosa fa
Se la sta a succhia'

Tengo na minchia tanta
Tengo na minchia accussi'
Tengo na minchia tanta
Tengo na minchia
Devi usare un pollo
Devi usare . . . se la vuoi misurar
Devi usare un pollo
Se me la vuoi tastar

Tengo na minchia tanta
Phyllis: That Tishman . . .
Tengo na minchia accussi'
Tengo na minchia tanta
Phyllis: 'Til this day I don't know what he's talking about!
Tengo na minchia da tastar
Mmmmm
Come on, baby
Come on, baby, suck my fire!
Oh yeah . . .

Guarda che se la mangia
Tengo na minchia accussi'
Guarda che se la mangia
Mentre se la sta a pappa'
Chiedimi che cosa fa
Ma e chiaro! Se la sta a succhia'

Tengo na minchia tanta
Tengo na minchia accussi'
Guarda che se la mangia
Guarda che se la mangia e se la sta a succhia'
Darling
Darling
Darling
Look at your sister
Do something like that, thanks

Devi usare un pollo
Devi usarlo per misurar
Phyllis: Frank!
Aynsley: . . . this is the Mothers of Invention movie!
Phyllis: But . . .
Cosi' me la potrai succhiar
You both suck in stereo
Jesus!

Tengo na minchia tanta
Tengo na minchia accussi'
Tengo na minchia tanta
Tengo na minchia
Tengo na minchia tanta
 
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06.07.2010
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30.267
"That Evil Prince"

"That Evil Prince"


[FZ synclavier]

[Harry:]
RHONDA, that EVIL PRINCE . . . he certainly does have a way about him!

[Rhonda:]
At least HE didn't piss on my fox . . . and HE has REAL BROADWAY STARS for personal acquaintances!

[Harry:]
They're all dead, dear . . . Zombies, I believe . . . the 'walking dead' . . . Jack Palance did a show on them once.

[Rhonda:]
Oh my God! Look at what he's doing with that stuff from inside the pig! Yuck! That's disgusting! Are you sure this guy is a PRINCE?

[Harry:]
He's an EVIL PRINCE, dear . . . and part-time theater critic! They don't make a heck-of-a-lot of money, y'know! We should probably feel sorry for him. You have to admit, those ARE some of the least expensive cuts of pork.

[Thing-Fish:]
Don't you white folks know nothin'? Dat cock-sucker not only mean 'n dangerous, he ignint in regards to de prep'ratium o' food-stuffs! Even in SAN QUENTIM I never seen nobody eat a RAW CHITLIN'! De muthafucker be CRAZY! An' when dat gobbige make it's way thoo de digestium process, you bes' be hopin' you on yo' way outa heahh! Next item de boy be inventin' come under de headin' o' industrial pollutium!

[Harry:]
Just what are these . . . chitlin's?

[Thing-Fish:]
Dat dere id perhaps de questium most frequently posed by members of yo' species! I'll jes' gets de MAMMYS t'hep me relucidate dis bafflin' concept wit another thrillin' numbuh!
 
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"The 'Torchum' Never Stops"

"The 'Torchum' Never Stops"


[Thing-Fish:]
Now, dis nasty sucker is de respondable party fo de en-whiffment o' de origumal potium. Through de magik o' stage-kraff, we be able to see him at woik!

He now be preparin' some ugly shit to make yo' life even mo' mizzable den it awready are, since dis batch be resigned to render him IMMORTAL! We does not know if it gwine woik yet, but we kin always hope fo' de best!

[singing]

Flies all green 'n buzznin'
In his dunjing of despair
Prisoners grummle an' piss dey' clothes
'N scratch dey' matted hair
A tiny light fum a window-hole
A hunnit yards away
Is all dey ever gets t'know
'Bouts de reg'luh life in de day

An' it stink so bad, de stones been chokin'
'N weepin' greenish drops
In de room where de giant fowah-puffer woikin',
'N de torchum never stops
De torchum never stops
De torchum,
De torchum,
De torchum never stops
(Go on, 'DEWLLA! Play dat lil' guitar one mo' 'gin!)

[spoken]

Uh-oh! I smells trubba! He be messin' wit pigmeat heahhh! Muthafucker be rejectin' some CO-LOG- NUH directly into de DUO-DEENUM of de unsuspecting victim! Now he gone see if he immune to it by eatin' a dab hisseff!

[singing]

Flies all green an' buzznin'
In his dunjing of despair
An EVIL PRINCE eats a steamin' pig
In a chamber, right near dere

He eat de snouts an' de trotters foist!
De loins an' de groins id soon re-spersed
His carvin' style id well re-hoist
He stan' 'n shout:

All main be coist!
All main be coist!
All main be coist!
All main be coist!

An' dis-ergree? Well, no one durst . . .
He de best, of cose, of all de woist
Some wrong been done, he done it foist . . .
An' he stink so bad, his bones been chokin'
And weepin' greenish drops,
In de vat of GALOOT CO-LOG-NUH,
Where de Re-zease be berlin' up
Berlin' an' uh boilin' up
CO-LOG-NUH!
CO-LOG-NUH!
GALOOT CO-LOG-UH-NUH!

[spoken]

Oh! Do yoseff a favum 'n DON'T USE IT! Oooooooh! Look at THESE ugly suckers! Boy, when white folks come back fum bein' dead, they sho' gets scary-lookin'! But don't take their appearance too seriously, people, 'cause dey say dis de sort o' folks dat belongs on BROADWAY!

[Evil Prince: (singing)]

Somewhere, over there, I can tell,
There's a voice of
A potato-headed whatchamacallit
Who does not wish me well!

His clothes are quite stupid,
And also his shoes!
He's got a big ol' duck-mouth!
(Who knows how he chews!)

He thinks he knows something
About THE GREAT PLAN!
How ULTIMATE BLANDNESS
Must RULE and COMMAND

He knows not a drop,
Not a crumb,
Not a whit,
Of the reason for doing
This criminal shit
And then, if he did,
Would it matter a bit?
Not at all!
Because IT IS WRIT:

Our BEIGE-BLANDISH GOD
Tends to CERTIFY IT:

"Only the boring and bland shall survive!
Only the lamest of lameness will thrive!"
Take it or leave it, you won't be alive,
If you are overtly CREATIVE!

Fairies and faggots and queers are
'CREATIVE'
All the best music on Broadway is
'NATIVE'

Who will step forward
And end all this trouble?
For beige-blandish citizens,
Clutching the rubble
Of vanishing dreams
Of wimpish amusement,
Replaced by a rash
Of 'CREATIVE' confusement!

Soon, my brave Zombies,
You'll make your return!
Broadway will glow!
Broadway will burn!
(Along with the remnants of
EVERYTHING NEW)
My HOLY DISEASE will do
Wonders for you!
Those lovely producers
Who paid for you 'then'
Will do it again, and again, and again!

The spying potato
With horrible diction
Will rot in the garbage
When this show's eviction
Takes place shortly after
My alternate skill
Of THEATRICAL SABOTAGE
Triumphs YOUR will!

I've a special review
I've been saving for years
For a show just like this,
With POTATOES and QUEERS

I'll say it's disgusting, atrocious, and dull
I'll say it makes boils inside of your skull
I'll say it's the worst-of-the-worst of the year,
No wind down the plain, and it's hard on your ear
I'll say it's the work of an infantile mind
I'll say that it's tasteless, and that you will find
A better excuse to spend money or time
At a Tupper-Ware Party,
So, do be a smarty!
Hold on to that dollar
A little while longer
For spending it here,
Why, it couldn't be wronger!

WHAT'S HAPPENED TO BROADWAY?
WHERE'S IT GONE, ALL THE GLITTER?
THE 'HEART' AND THE 'SOUL'
THE PATTER?
THE PITTER?

And after this deadly review hits the paper,
In will come ROPER, BENDER & RAPER,
To legally execute all that remains
Of this tragic amusement for drug-addled brains

[Thing-Fish: (singing)]

Flies all green an' buzznin'
In his dunjing of despair
Who are all o' dem ZOMBIES
Dat he fuckin' wit down dere?
Are dey crazy?
Are dey sainted?
Are dey STAGE-KRAFF someone painted?

It have never been explained,
Since at first it were created,
But, a MUSICAL, like we's in,
Require a WHOLE BUNCH O' EVERYTHIN'!
We talkin' EVERYTHIN' DAT EVER BEEN!
Look at her!
Look at him!

Dat what de deal we dealing in
Dat what de deal we dealing in
Dat what de deal we dealing in
Dat what de deal we dealing in
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.267
"The Adventures Of Greggery Peccary"

"The Adventures Of Greggery Peccary"


[includes quotes from Big Swifty (FZ), Chameleon (Jackson/Mason/Maupin/Hancock), Dust My Broom (Elmore James), Entry Of The Gladiators (Julius Fucik), Billy The Mountain (FZ), Louie Louie (Richard Berry), My Three Sons (DeVol), Blessed Relief (FZ) and It Just Might Be A One-Shot Deal (FZ)]

[Narrator:]
The adventures of GREGGERY PECCARY!

[Greggery:]
Oh, here comes GREGGERY,
Little GREGGERY PECCARY
The nocturnal gregarious
Wild swine . . .

[Narrator:]
A peccary is a little pig with a white collar that usually hangs around between Texas and Paraguay, sometimes ranging as far west as Catalina

[Greggery:]
Catalina, Catalina, Catalina!

[Narrator:]
This particular peccary is part of that bold . . .

[Greggery:]
Bold . . .

[Narrator:]
New . . .

[Greggery:]
New . . .

[Narrator:]
Breed . . .

[Greggery:]
Breeding . . .

[Narrator:]
That distinguishes itself by markings which resemble a WIDE TIE directly below the white collar

[Greggery:]
If it's wide enough
Everyone will know
That the tie I'm wearing
Is a symbol
Of how nimble my mind will know
Ooh-ooh!

[Narrator:]
(Swank suave!)

[Greggery:]
Hoon-hoon hoonna-han
Hoonna hoonna

[Narrator:]
Look out!
Here he comes again!

[Greggery:]
Oh here comes GREGGERY PECCARY

Yes it's cravy, cravy, yeah . . .

Hoonna-han
Hoonna-han

[Narrator:]
Every morning, GREGGERY drives his little red Volkswagen to the ugly part of town where they keep the Government Buildings.

[Greggery:]
Voodn, Voodn!

Boy it's so hard to find a place to park around here!

Voo-voo-voo-nya-hoon

[Narrator:]
GREGGERY PECCARY takes the elevator up to the eighty-third floor of a grim, gray, evil-looking building with a sign on the front reading: 'BIG SWIFTY & ASSOCIATES, TREND-MONGERS'.

And what, might you ask, is a TREND MONGER? Well, a TREND MONGER is a person who dreams up a TREND (like 'The Twist' -or 'Flower Power'), and spreads it throughout the land, using all the frightening little skills that Science has made available!

And so it was, one fateful morning, GREGGERY PECCARY made his way through the Steno Pool . . .

[Greggery:]
Hi Mildred!
Hello Gladys!
WANDA!

[Narrator:]
Yes, from the moment they laid eyes on him, all the girls in the BIG SWIFTY Steno Pool KNEW . . . here was a nocturnal, gregarious wild swine ON HIS WAY UP . . . a PECCARY of Destiny, Adventure and ROMANCE . . .

[Greggery:]
Is there any mail for me?

[Stenographers:]
SWIFTY'S!
THIS IS BIG SWIFTY'S!
AT BIG SWIFTY'S WE ALL KNOW-OW-OW
(WO-WO)
YOU'LL GO
FOR ANY GIMMICK OR GIZMO!

[Greggery:]
WOULDN'T YOU RATHER BE INVOLVED
IN A SERIES OF COLORFUL
TIME-WASTING TRENDS?

[Narrator:]
AIR HOCKEY . . . biff . . . dush-h-h!

[Stenographers:]
LA-LA-LA-LA-LA-LA-LA-LA
YOUP YOUP YOUP YOUP

[Greggery:]
IS YOUR WIFE SNORING BY THE SINK?

[Stenographers:]
LA-LA-LA-LA-LA-LA-LA-LA
YOUP YOUP YOUP YOUP

[Greggery:]
AIN'T YOUR LIFE BORING, DON'TCHA THINK?

[Stenographers:]
YOUP YOUP YOUP-YOUP-YOUP YOUP YOUP

[Greggery:]
LIFE IS SO MUCH BETTER
WHEN THERE'S SOME LITTLE SOMETHING
TO DO!

[Narrator:]
Does it matter that this waste of time is what makes a LIFE for you? Hmmmmm?

[Greggery:]
I must plummet boldly forward to my ultra-avant laminated, simulated replica-mahogany desk, with the strategically-placed, imported, very hip water pipe, and the latest edition of the WHOLE EARTH CATALOG, and rack my agile mind for a spectacular new TREND, thereby rejuvenating our limping economy, and providing for bored & miserable people everywhere some great new 'THING' to identify with!

[Stenographers:]
WE HAVE GOT THE LITTLE ANSWERS
TO THE THINGS
THAT MIGHT BE BOTHERING YOU!

[Greggery:]
WE HAVE GOT YOUR LITTLE TOYS!

[Stenographers:]
(WE'RE BUSY MAKIN' 'EM!)
BUSY MAKIN' 'EM,
WE'RE BUSY MAKIN' 'EM

[Greggery:]
BUSY MAKIN' EM

[Stenographers:]
JUST FOR YOU!
Yoo-hoo-hoo!

[Greggery:]
Highly efficient, Miss Snodgrass!

[Narrator:]
And with that, GREGGERY turned and strode nonchalantly into his dinky little office with the desk and the catalog and the very hip water pipe, and proceeded, with a vigor and determination known only to piglets of a similarly diminutive proportion, to single-handedly invent THE CALENDAR!

With his eyes rolled heaven-ward, and his little shiny pig-hoofs on the desk, GREGGERY ponders the question of ETERNITY (and fractional divisions thereof), as mysterious ANGELIC VOICES sing to him from a great distance, providing the necessary clues for the construction of this thrilling new TREND!

[Angelic Voices:]
SUNDAY

[Greggery:]
Sunday?
WOW!
SUNDAY, SATURDAY . . . TUESDAY THROUGH
'MONDAY - MONDAY'!
SUNDAY, SATURDAY

[Narrator:]
And thus THE CALENDAR, in all of its colorful disguises was presented to the bored & miserable people everywhere!

GREGGERY issued a memo on it, whereupon the entire contents of the Steno Pool identified with it STRENUOUSLY, and WORSHIPPED IT as a WAY OF LIFE, and took their little pills by it, and went back 'n forth from work by it, and paid their rent by it, and before long they were even having BIRTHDAY PARTIES IN THE OFFICE by it, because NOW, AT LAST, GREGGERY PECCARY's exciting new invention had made it possible for everyone to find out HOW OLD THEY WERE!

[Greggery:]
What hath GOD wrought?

[Narrator:]
Unfortunately, there were some people who simply DID NOT WISH TO KNOW, and that's why, on his way home from the office one night, GREGGERY was attacked by a RAGE OF HUNCHMEN!

Making his way through the evening traffic, GREGGERY notices that the other vehicles which crowd and bump his little red car are all inhabited by slowly-aging 'VERY HIP YOUNG PEOPLE.'

They appear to be casting sinister glances toward him through their glinting acid burn-out eyeballs, trying to run him off the road, or make him bump into something . . . giving strong evidence of HOSTILE AGGRESSION!

To elude them, GREGGERY takes the SHORT FOREST EXIT off the expressway. They zoom after him in all manner of cars, trucks, garishly-painted buses, and motorcycles.

GREGGERY takes a bumpy trail off the main SHORT FOREST ROAD, which leads him up the side of a FAMOUS (and conveniently placed) MOUNTAIN, and into a strange cave on the edge of a cliff, not far from a LITTLE TWISTED TREE . . . with eyes on it.

Meanwhile, the enraged HUNCHMEN (and HUNCH-WOMEN) rumble through the SHORT FOREST until (realizing the little swine has escaped), they decide to park their steaming vehicles in a circular pseudo-Wagon Train formation . . . and have a LOVE-IN!

Under the influence of a fantastic amount of TRENDY CHEMICAL AMUSEMENT AID, they proceed to perform lewd acts, rip each other off for small personal possessions, and dance with depraved abandon in the vicinity of a six-foot pile of transistor radios (each one tuned to a different station).

[Greggery:]
WHAT?

[Narrator:]
The HUNCHMEN finally expire from exhaustion, and GREGGERY, who has viewed the proceedings from a safe distance, breathes a sigh of relief . . .

[Greggery:]
Phew!

[Narrator:]
Only to be terrified once again by a roar of immense laughter . . .

[Billy:]
HO! HO! HO!

[Narrator:]
Which seems to be rumbling up from the very depths of the cave in which he has hidden his car!

[Greggery:]
Good Lord! What was that?

[Narrator:]
GREGGERY doesn't realize he has concealed himself inside the very mouth of

[Billy:]
HO! HO! HO!

[Narrator:]
BILLY THE MOUNTAIN!

[Billy:]
HO! HO! HO!

[Narrator:]
And, as you all know, whenever BILLY laughs, rocks and boulders hack up, and the air for miles around is filled with tons of dust, forming a series of huge BROWN CLOUDS!

[Greggery:]
WHO IS MAKING THOSE NEW BROWN CLOUDS?
WHO IS MAKING THOSE CLOUDS THESE DAYS?
WHO IS MAKING THOSE NEW BROWN CLOUDS?
BETTER ASK A PHILOSTOPHER 'N SEE WHAT HE SAYS!

[Narrator:]
GREGGERY stops at a gas station and makes a mysterious phone call . . .

[Greggery:]
IS THIS THE OLD LOFT
WITH THE PAINT PEELIN' OFF IT
BY THE CHINESE POLICE
WHERE THE DOGS ROLL BY?

IS THIS WHERE THEY KEEP
THE PHILOSTOPHERS NOW,
WITH THE RUGS & THE DUST,
WHERE THE BOOKS GO TO DIE?

HOW MANY YEZ GOT?
SAY YEZ GOT QUITE A FEW,
JUST SITTIN' AROUND THERE
WITH NOTHIN' TO DO?

WELL I JUST CALLED YEZ UP
'CAUSE I WANTED TO SEE
A PHILOSTOPHER BE
OF ASSISTANCE TO ME!

[Narrator:]
GREGGERY receives information that 'The Greatest Living PHILOSTOPHER Known to Mankind' is currently in possession of the very information in question, and, furthermore, this information could be HIS, if only GREGGERY would attend a 'SPECIAL THERAPEUTIC GROUP ASSEMBLY' (Classes now forming), and available at a special low low introductory fee . . . and now, here he is, 'The Greatest Living PHILOSTOPHER Known to Mankind', QUENTIN ROBERT DeNAMELAND! Take it away!

[Quentin:]
Folks, as you can see for yourself, the way this clock over here is behaving, TIME IS OF AFFLICTION! Now this might be cause for alarm among a portion of you, as, from a certain experience, I TEND TO PROCLAIM: 'THE EONS ARE CLOSING'!

[Narrator:]
Make your checks payable to 'QUENTIN ROBERT DeNAMELAND, Greatest Living Philostopher Known to Mankind'!

[Greggery:]
WHO IS MAKING THOSE NEW BROWN CLOUDS?
WHO IS MAKING THOSE CLOUDS THESE DAYS?
WHO IS MAKING THOSE NEW BROWN CLOUDS?
IF YOU ASK A PHILOSTOPHER, HE'LL SEE
THAT YOU PAYS!
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.267
"The Air"

"The Air"



The air
Escaping from your mouth
The hair
Escaping from your nose
My heart
Escaping from the scraping
And the shaping
Of the draping . . .
I'm awaking
In a T-shirt
In a Chevy
At the beach
And I'm freezing
And I'm wheezing
And I know
You were only teasing
I hit you
Then I beat you
Then I told you
That I love you
In my car
In a jar
In my car
In a jar

The air
Escaping from your pits
The hair
Escaping from my teeth
My hands
Are gripping
But they're slipping
And they're dripping
'Cause I'm tripping
I got busted
(Wasted)
Coming through customs
(I'm so wasted)
With a suitcase
(Wasted)
Full of tapes
(I'm so wasted)
It was special
Tape recording
And they grabbed me
While I was boarding
Yes, they grabbed me
Then they beat me
Then they told me
They don't like me
And I crashed
In my Nash
We can crash
In my Nash
We can crash
In my Nash
We can crash
In my Nash
We can crash
In my Nash
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.267
"The Blackouts"

"The Blackouts"



So, uh, I'd just like to tell you about a little incident at Shrine Auditorium. Uh, well, see we made this scene down there, we walked in, and this, this place is big, y'know, real big, y'know? An' everybody was gonna be there. Louis Armstrong and his boys were gonna be there, (Titans) an' the Titans, (and the Velvetones too) and the Velvetones, and the Blackouts, so let me, let me tell you about this

We made the scene (good to ... ). The Velvetones think they're Lawrence Welk.
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.267
"The Blue Light"

"The Blue Light"



Your Ethos
Your Pathos
Your Porthos
Your Aramis
Your Brut Cologne
You're writing home
You are hopeless
Your hopelessness
Is rising around you, rising around you
You like it
It gives you something to do
In the day time
Hey buddy, you need a hobby
You are tired of moving forward
You think of the future
And secretly you piddle your pants
The puddle of piddle
Which used to be little
Is rising around you, rising around you
You like it
It gives you something to do
In the night time
Well, you travel to bars
You also go to Winchell's Doughnuts
And hang out with the Highway Patrol
Sometimes you'll go to a pizza place
You go toSharkey's to get that
American kind of pizza
That has the ugly, waxey, fake yellow kind
Of yellow Cheese on the top...
Then you go to Straw Hat Pizza,
To get all of those artificial ingredients
That never belonged on a pizza in the first place
(But the white people really like it...)
Oh well, you'll go anyplace, you'll do anything
Oh you'll give me your underpants
I hope these aren't yours, buddy...
They're very nice, though
You'll go to Santa Monica Boulevard,
You'll go to the Blue Parrot
No problem, you'll go anyplace
You'll do anything
Just so you can hang out with the others
The others just like you
Afraid of the future
(Death Valley Days, straight ahead)
The future is scary
Yes, it sure is
Well, the puddle is rising
It smells like the ocean
A body of water to isolate England
And also Reseda
The oil, in patches
All over Atlantis, Atlantis
You remember Atlantis
Donovan, the guy with the brocade coat,
Used to sing to you about Atlantis
You loved it, you were so involved then
That was back in the days when you used to
Smoke a banana
You would scrape the stuff off the middle
You would smoke it
You even thought you was getting ripped from it
No problem
Ah Atlantis, they could really get down there
The plankton, the krill
The giant underwater pyramid, the squid decor
Excuse me. Todd
The big ol' giant underwater door
The dome, the bubbles, the blue light
Light, light, light, light
Blue light blue light
The seepage, the sewage, the rubbers, the napkins
Your ethos, your pathos
Your flag hole, your port-hole
Your language
You're frightened
Your future
You can't even speak your own fucking language
You can't read it anymore
You can't write it anymore
Your language
The future of your language
Your meat loaf
Don't let your meat loaf
Heh, Heh, Heh
Your Micro-Nanette
Your Brut
Cologne
 
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"The Central Scrutinizer"

"The Central Scrutinizer"


[Act I]

[PRELUDE]

Desperate nerds in high offices all over the world have been known to
enact the most disgusting pieces of legislation in order to win votes
(or, in places where they don't get to vote, to control unwanted forms of
mass behavior).
Environmental laws were not passed to protect our air and water...
they were passed to get votes. Seasonal anti-smut campaigns are not
conducted to rid our communities of moral rot...they are conducted to give
an aura of saintliness to the office-seekers who demand them. If a few
key phrases are thrown into any speech (as the expert advisors explain to
these various heads of state) votes will roll in, bucks will roll in, and, most
importantly, power will be maintained by the groovy guy (or gal) who gets
the most media coverage for his sleaze. Naturally, his friends in various
businesses will do okay too.
All governments perpetuate themselves through the daily commission of act
which a rational person might find to be stupid or dangerous (or both). Naturally,
our government is no exception... for instance, if the President (any one of them)
went on TV and sat there with the flag in the background (or maybe a rustic
scene on a little backdrop, plus the flag) and stared sincerely into the camera
and told everybody that all energy problems and all inflationary problems had been
traced to and could be solved by the abolition of MUSIC, chances are that most
people would believe him and think that the illegalization of this obnoxious form of
noise pollution would be a small price to pay for the chance to buy gas like the good
ol' days. No way? Never happen? Records are made out of oil. All those big rock
shows go from town to town in fuel-gobbling 45 foot trucks...and when they get there,
they use up enormous amounts of electrical energy with their lights, their amplifiers,
their PA systems...their smoke machines. And all those synthesizers...look at all
the plastic they got in 'em...and the guitar picks...you name it...
JOE'S GARAGE is a stupid story about how the government is going to try to do away
with music (a prime cause of unwanted mass behavior! It's sort of like a really cheap
kind of high school play...the way it might have been done 20 years ago, with all the sets
made out of cardboard boxes and poster paint. It's also like those lectures that local
narks used to give (where they show you a display of all the different ways you can get
wasted, with the pills leading to the weed leading to the needle, etc., etc.).
If the plot of the story seems just a little bit preposterous, and if the idea of The Central
Scrutinizer enforcing laws that haven't been passed yet makes you giggle, just be glad
you don't live in one of the cheerful little countries where, at this very moment, music is
either severely restricted...or, as it is in Iran, totally illegal.

[SCENE ONE]

[ENTRANCE OF THE CENTRAL SCRUTINIZER]

Sometimes when you're not looking he just sneaks up on you. He looks like a cheap
sort of flying saucer about five feet across with a snout-like megaphone apparatus in
the front with two big eyes mounted like Appletons with miniature motorized frowning
chrome eyebrows over them. Along the side of his disc-like body are several sets of
stupid looking headers and exhaust hoses which apparently propel him and punctuate
his dialogue with horrible smelling smoke rings. In the middle of his head we can see
an airport wind sock and constantly twirling anemometer. The bottom of him has a landing
light and three spoked wheels. In spite of all this, it is obvious that the way he really gets
around is by being dangled from place to place by a union guy with a dark green shirt up
in the roof who is eating a sandwich (pieces of which drop off every once in a while
and lodge themselves near the hole where they put the oil in that makes the cheap smoke).
He hovers into view and speaks to us thusly...

[CENTRAL SCRUTINIZER:]
This is the CENTRAL SCRUTINIZER...it is my responsibility to enforce all the laws
that haven't been passed yet. It is also my responsibility to alert each and every one of
you to the potential consequences of various ordinary everyday activities you might be
performing which could eventually lead to The Death Penalty (or affect your parents'
credit rating). Our criminal institutions are full of little creeps like you who do wrong things...
and many of them were driven to these crimes by a horrible force called MUSIC! Our studies
have shown that this horrible force is so dangerous to society at large that laws are being
drawn up at this very moment to stop it forever! Cruel and inhuman punishments are
being carefully described in tiny paragraphs so they won't conflict with the Constitution
(which, itself, is being modified in order to accommodate THE FUTURE).
I bring you now a special presentation to show what can happen to you if you choose
a career in MUSIC . . . The WHITE ZONE is for loading and unloading only. . . if you
have to load or unload, go to the WHITE ZONE... you 'll love it... it 's a way of life . . .
This is the CENTRAL SCRUTINIZER...The WHITE ZONE is for loading and unloading
only... [etc.]
 
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