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"Lonely Little Girl"

"Lonely Little Girl"


[includes second part of What's The Ugliest Part Of Your Body?]

You're a lonely little girl
But your Mommy & your Daddy don't care
You're a lonely little girl

The things they say
Just hurt your heart
It's too late now
For them to start
To understand
The way you feel
The world for them
Is too unreal
So you're lonely, lonely, lonely,
Lonely little girl
You're lonely . . .

ALL YOUR CHILDREN ARE POOR
UNFORTUNATE VICTIMS OF
SYSTEMS BEYOND THEIR CONTROL

Where did Annie go
When she went to town?
Who are all those creeps
That she brings around?

A PLAGUE UPON YOUR IGNORANCE & THE GRAY
DESPAIR OF YOUR UGLY LIFE
ALL YOUR CHILDREN ARE POOR
UNFORTUNATE VICTIMS OF LIES . . .

Where did Annie go
When she went . . .
 
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"Lonesome Cowboy Burt"

"Lonesome Cowboy Burt"



My name is Burtram
I am a redneck
All my friends,
They call me 'Burt'
(Hi, Burt!)
All my family,
From down in Texas
Make their livin'
Diggin' dirt

Come out here to Californy,
Just to find me
Some pretty girls
Ones I seen
Gets me so horny;
Ruby lips,
'N teeth like pearls!

Wanna love 'em all!
Wanna love 'em dearly!
Wanna pretty girl-
I'll even pay!
I'll buy 'em furs!
I'll buy 'em jewelry!
I know they like me;
Here's what I say:

I'm lonesome Cowboy Burt!
(Speakin' atcha!)
Come smell my fringe-y shirt!
(Reekin' atcha!)
My cowboy pants,
My cowboy dance,
My bold advance,
On this here waitress . . .
Yodel-oh-oo-pee-hey
Yodel-oh-oo-pee!

(He's lonesome Cowboy Burt
Don'tcha get his feelings hurt)
Come on in this place,
'N I'll buy you a taste,
You can sit on my face-
Where's my waitress?

Burtram, Burtram redneck
Burtram, Burtram redneck

I'm an awful nice guy!
Sweat all day in the sun!
Roofer by trade,
Quite a bundle I've made,
I'm unionized roofin' old
Son-of-a-gun!
(He's a unionized roofin' old
Son-of-a-gun!)

When I get off, I get plastered
Drink till I fall onna floor,
Find me some Communist bastard,
'N stomp on his face till he don't
Move no more!
(He stomps on his face till he don't
Move no more!)

I fuss, an' I cuss an' I keep on drinkin',
Till my eyes puff up an' turn red!
I drool on m'shirt,
I see if he's hurt,
Kick him again in the head, yes!
Kick him again in the head, boys!
Kick him again in the head, now!
KICK HIM AGAIN IN THE HEAD!

Lonesome Cowboy Burt!
(Speakin' atcha!)
Come smell my fringe-y shirt!
(Reekin' atcha!)
My cowboy pants,
My cowboy dance,
My bold advance,
On this here waitress . . .
Yodel-oh-oo-pee-yeh
Yodel-oh-oo-pee!

(HE'S LONESOME COWBOY BURT,
A-don'tcha get his feelin's hurt)
Yeah . . . but come on in this place,
An' I'll buy you a taste,
'N you can sit on my face-
Where's my waitress?
OPAL, YOU HOT LITTLE BITCH!
 
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"Lost In A Whirlpool"

"Lost In A Whirlpool"



Well, I'm lost in a whirlpool
Yeah, baby, my head is goin' round
Well, ever since my baby flushed me
Oh, been goin' round, yeah round and around
Well, I'm lost in this whirlpool
I keep goin' down and down

There's a big brown fish
Lookin' at me
He ain't got no eyes
How could that motherfucker possibly see
Ooh, baby baby
I'm gonna be afraid it'd gonna touch me
Well I'm lost in this whirlpool
Oh, I can't even see

Baby, won't you come help me
Pour some drainer down,
And get the plunger right after me
I'll let you know a little secret, baby
I'm gettin' tired of all this pee

Don't go stranded, mother goose
Ooh, my head's in a noose . . .
 
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"Love Of My Life"

"Love Of My Life"



Love of my life, love of my life

Love of my life, I love you so
Love of my life, don't ever go
I love you only
Love, love of my life

Stars in the sky
They never lie
Tell me you need me
Don't say good-bye
I love you only
Love, love of my life

Stars in the sky
They never lie
Tell me you need me
Don't say good-bye
I love you darling
I love you only
Don't ever leave me
Don't make me lonely

Love of my life
I love you so
Love of my life
Don't ever go
I love you only
Love, love of my life
Love of my life
Love of my life
Love of my life
Love of my life
Love of my...
 
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"Lucille Has Messed My Mind Up"

"Lucille Has Messed My Mind Up"


[Act I]

[SCENE EIGHT]
[LUCILLE HAS MESSED MY MIND UP]

JOE is so disoriented by his disease, he goes in the
other room and plays the title cut from an old
Jeff Simmons album, and sings along with it.

[JOE:]
Lucille
Has messed my mind up
But I still love her
Oh I still love her
Lucille
Has messed my mind up
But I still love her
Oh I still love her
Lucille
Has messed my mind up
But I still need her you know I need her

Whatcha tryna doota me Lucille?
Whatcha tryna doota me Lucille?
Whatcha tryna doota me Lucille?
You got me goin outa my mind

Lucille
Has tore my heart up
But I still love her
I really love her
Lucille
Has tore my heart up
But I still need her
You know I need her

She treats me like my heart
Is made of stone
She runs around
And leaves me home
All alone
She doesn't answer
When I call her on the phone
She messed up my mind
I'm cryin' alia the time

Lucille
Has messed my mind
up etc., etc., etc.
 
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"Luigi & The Wise Guys"

"Luigi & The Wise Guys"



You-you-you-ooo
Look like a dor-r-r-k
You act like a dork
Most of the time, also
You're a dor-r-r-r-k
You are a double-dork butt rash
You are a dork, dork, dork, dor-r-r-r-k!
Nobody wants to ...
You are boring . . . you have nothing to say
You eat cheese - you eat cheese and other things
You can can wrap up an' take with you
From the table
With Luigi & The Wise Guys at the table
You are a dork
You're a dork, dork, dork, dor-r-r-r-k
A double-dork butt rash
There's one in every crew - do you know
who you are? We know, but we won't tell you
We don't want to hurt your feelings
But you're a dor-r-r-r-k!
Might as well admit it
When you're a dork
You're a dork, by the way
You're a dork
A double
A double dork butt rash
A double butt rash dork
Luigi & The Wise Guys at the table
You look like a dork
Look like a dork
You act like a dork most of the time
You're a dor-r-r-r-k
Double dork
Double dork
Double dork butt rash
 
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"Magdalena"

"Magdalena"


[includes a quote from Violin Concerto in D (Stravinsky)]

Hey!
Ha!
Ooh!

There was a man
A little ole man
Who lived in Montreal
With a wife and a kid
And a car and a house
And a teenage daughter
With a see-thru blouse
Who loved to grunt and ball-
And her name was Magdalena

Magdalena . . .

The little ole man
Came home one night
To his house in Montreal.
He caught his daughter
In the blouse by the light
And he said to himself:
"She looks all right!"
And he reached for a tit
And grabbed it tight
And threw her up
Against the wall
(BLUE CROSS!)
Magdalena . . .

My daughter dear,
Do not be concerned when your
Canadian daddy comes near.
My daughter dear
Do not be concerned when your
Canadian daddy comes near.
I work so hard,
Don't you understand,
Making maple syrup
For the pancakes of our land.
Do you have any idea?
What that can do to a man?
What that can do to a man?
Do you have any idea?
What that can do to a man?
What that can do to a man?

The little ole man
With the grubby little hand
Who lived in Montreal
Was drooling a bit
As he reached for her tit
And he said to himself:
"This is gonna be it!"
But the girl turned around
And said: "Go eat shit!"
And ran on down the hall.
Right on, Magdalena!

My daughter dear,
Do not be concerned when your
Canadian daddy comes near.
My daughter dear
Do not be concerned when your
Canadian daddy comes near.
I work so hard,
Don't you understand,
Making maple syrup
For the pancakes of our land.
Do you have any idea?
What that can do to a man?
What that can do to a man?
Do you have any idea?
What that can do to a man?
What that can do to a man?
(Tell 'em!)

Magdalena, don't you tease me like this
Right in the hallway with your blouse and your tits
If your mommy ever finds us like this
She'll call a lawyer, oh how mom will be pissed

DOODLE DOODLE DOODLE DUH-DUH DEE-UH
DOODLE DOODLE DOODLE DUH-DUH DEE-UH
DOODLE DOODLE DOODLE DUH-DUH DEE-UH
DOODLE DOODLE DOODLE DUH-DUH DEE-UH-WAH . . .

Magdalena, Magdalena, Magdalena, Magdalena,
daughter of the smog-filled winds of Los Angeles,
I'd like to take you in the closet and take off your little clothes
until you are virtually stark raving nude,
spread mayonaise
and kaopectate all over your body
and take you down to Hollywood Boulevard
and we can,
we can walk down the streets
by the stars that say Jon Provost and Leo G. Carroll together, baby.
We can go dancing up at the Cinegrill
can't you see it: Frank Pernell and us, until dark,
don't you understand, my baby?
I didn't mean, I didn't need, I mean . . .
it was so hard for me . . .
I just . . .
I saw you standing under the Shell pest strip late last night,
in the light,
with your little nipples protruding through your little see-thru thingie,
and I just said:
'My god, my god, I gave my sperm to this thing!'
And now I just,
oh, you got me so hard, I just,
I don't know what to do, Magdalena, don't you understand?
So I grabbed you, but,
but don't hold it against me, I mean,
your mom will never know, baby,
and I wantcha to come back to me,
I mean . . . do you understand me? I want you to . . .
I'm down on my knees to ya, Magdalena!
I wantcha ta walk back to me, baby,
I wantcha to turn around by the Sparkletts machine.
That's it! That's it!
In the little chartreuse hallway with the little neon Jesus picture on the wall,
and I want you to step, baby,
I want you to walk back in your five inch spike heels that you got at Frederick's,
same time you and your mommy got that crotchless underwear last year for Christmas,
and I want you to stroll back to me, baby
Walk back, baby, don'tcha understand me, baby?
I want you to walk back
I'm down on bended knees, baby
I'm gonna, I'm gonna, I wanna take off your little training bra
Don't you understand me?
I'm gonna take off you little maroon hot pants
I'm gonna get down on my knees, baby,
dont'cha understand what I'm saying to you?
Your mom will never know,
she's playing bridge with the girls,
and you and I . . .
you and I go sucking som'thing, baby,
it's just you and I, don'tcha understand?
We can make love all night long,
nobody will ever know,
come on, Magdalena!
Please, little girl,
walk back to your daddy,
what did I do that was so wrong?
My God, I was only following the sexual impulse like I heard on the Johnny Carson Show
from a book or something I wrote,
I didn't know what I was doing
I got carried away
What can I say like . . . like . . .
walk back, baby,
come on,
oh, please, you gotta walk back, baby, walk back,
walk back to your daddy!
Come on, Magdalena, to your daddy, baby,
you gotta walk back, baby, walk back,
walk back, baby, walk back,
your mom will never know,
your mom will never know,
walk back, baby, walk back,
walk back, baby, walk back,
Magdalena, come back,
come back to you daddy,
walk back, baby,
walk back, baby,
walk, walk, walk, walk,
WALK!
Walk to your daddy,
come on down, stroll it around of me,
I'm down on my knees, don't you understand?
Your mom will never know,
I told you so . . .
(I love you, Magdalena!)
You know what . . .
I said . . .
 
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"Magic Fingers"

"Magic Fingers"




Ooh, the way you love me, lady,
I get so hard now I could die
Ooh, the way you love me, sugar,
I get so hard now I could die

Open up your pocketbook,
Get another quarter out,
Drop it in the meter, mama
And try me on for size
Open up your pocketbook,
Get another quarter out,
Drop it in the meter, mama
And try me on for size

Ooh, the way you squeeze me, baby,
Red balloons just pop behind my eyes
Ooh, the way you squeeze me, girl,
Red balloons just pop behind my eyes

Open up your pocketbook,
Get another quarter out,
Drop it in the meter, mama
And try me on for size
Open up your pocketbook,
Get another quarter out,
Drop it in the meter, mama
And try me on for size

[Mark:]
Oh, do you really wanna please me?

[Howard:]
You know I do, baby

[Mark:]
Well, tell me why you do it
I really wanna know

[Howard:]
Oh, no, no, I wouldn't be right
For me to tell you tonight

[Mark:]
You better tell me right away
Or I pack up and go!

[Howard:]
Don't get mad
It ain't no big thing

[Mark:]
You better tell me right away,
Don't you treat me cold

[Howard:]
HOLD IT, HOLD IT, HOLD IT, HOLD IT!
Well, there are a lot of reasons why I'd . . . I'd drag a girl such as yourself back to this . . . plastic hotel room and . . . rip you off for spare change to run a . . . to run a vibrating machine attached to this queen-size, bulk-purchase, kapok-infested, do-not-remove-tag-under-penalty-of-law type bed and . . . and make you take off all your little clothes . . . until you are nearly STARK RAVING NUDE! (Save for your chrome-with-heavy-duty-leather-thong Peace Medallion, heh . . . ) And make you assume a series of marginally erotic poses involving . . . a plastic chair and . . . an old guitar strap while I . . . did a wee-wee in your hair and . . . beat you with a pair of tennis shoes . . . I got from Jeff Beck
 
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"Man With The Woman Head"

"Man With The Woman Head"



Are you with me on this, people?

The man with the woman head
Polynesian wallpaper made the face stand out,
a mixture of Oriental and early vaudeville jazz poofter,
forming a hard, beetle-like, triangular chin much like a praying mantis.
Smoky razor-cut, low on the ear neck profile.
The face the color of a nicotine-stained hand.
Dark circles collected under the wrinkled, folded eyes,
map-like from too much turquoise eyepaint.
He showed his old tongue through ill-fitting wooden teeth,
stained from too much opium, chipped from the years.
The feet, brown wrinkles above straw loafers.
A piece of cocoanut in a pink seashell caught the tongue and knotted into thin white strings.
Charcoal grey Eisenhower jacket zipped into a load of green ascot.
A coil of ashes collected on the white-on-yellow dacs.
Four slender bones with rings and nails endured the weight of a hard fast black rubber cigarette holder.
I could just make out Ace as he carried the tray and mouthed,
"You cheap son of a bitch" as a straw fell out of a Coke, cartwheeled into the gutter.
So this was a drive-in restaurant in Hollywood,
So this was a drive-in restaurant in Hollywood,
So this was a drive-in restaurant in Hollywood.
 
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"Martin Lickert's Story"

"Martin Lickert's Story"


[Martin:] I just went out to get some cigarettes for him one day and came back and walked into the dressing room and there's Frank and the rest of the Mothers and, uh, Ringo, the other people, and I walked in the room and they all went, "Yeah!" And, "Yeah what?" You know, "Would, would you like to try Jeff's part?" You know, so I just tried that, and it seemed to work okay
[Interviewer:] Mm-mmh . . .
[Martin:] So Frank said, "Would, you can play, play bass, you can try play into the group as well"
[FZ:] So he took the script and he read it and it sounded good and then just quite by accident, we found out that he was a bass player and that he's good for the part, is, uh, quite professional on screen and as a bass player he's not astonishing but, uh, he can make the parts
 
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