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"Like A Tall Thin Girl"

"Like A Tall Thin Girl"



Well, I don't care to eat out in smart restaurants.
I'd rather do a Vindaloo: take away is what I want.
I was down at the old Bengal, having telephoned a treat
when I saw her framed in the kitchen door.
She looked good enough to eat.
(And I mean eat.)
She was a tall thin girl.
She looked like a tall thin girl.
She said, ``Whose is this carry-out?''
My face turned chilli red.
Well, I don't know about carrying out,
but you can carry me off to bed.
(And I mean bed.)
She was a tall thin girl.
She moved like a tall thin girl.
Maybe I can fetch for it,
and maybe I can stretch for it.

I may not be a fat man and I'm not exactly small
but when it all comes down, couldn't stand my ground.
This girl was tall.
(And I mean tall.)

Big boy Doane, he's a drummer. Don't play no tambourine
but he's Madras hot on the bongo trot,
if you know just what I mean.
Stands six foot three in his underwear;
going to get him down here and see
if this good lady's got a little sister `bout the same size as me.
She was a tall thin girl.
She looked like a tall thin girl.
Well, can I fetch for it?
Well, maybe I can stretch for it?
Well, am I up for it? Or do I have to go down for it?
 
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"Living In The Past"

"Living In The Past"



Happy and I'm smiling
walk a mile to drink your water
You know I'd love to love you
and above you there's no other
We'll go walking out
while others shout of war's disaster
Oh, we won't give in
let's go living in the past

Once I used to join in
every boy and girl was my friend
Now there's revolution, but they don't know
what they're fighting
Let us close our eyes
outside their lives go on much faster
Oh, we won't give in
we'll keep living in the past
 
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"Locomotive Breath"

"Locomotive Breath"



In the shuffling madness
Of the locomotive breath,
Runs the all-time loser,
Headlong to his death.
He feels the piston scraping --
Steam breaking on his brow --
Thank God, he stole the handle and
The train won't stop going --
No way to slow down.
He sees his children jumping off
At the stations -- one by one.
His woman and his best friend --
In bed and having fun.
He's crawling down the corridor
On his hands and knees --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He hears the silence howling --
Catches angels as they fall.
And the all-time winner
Has got him by the balls.
He picks up Gideon's Bible --
Open at page one --
God stole the handle and
The train won't stop going --
No way to slow down.
 
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"Look At The Animals"

"Look At The Animals"




The tiny ant leaves his tiny ant drops in the sand,
And makes his home inside a rusty watering can,
Occasionally going out to look for bread and jam.

He runs into a sparrow who hasn't eaten for a week,
And later, quite contented, the sparrow cleans his beak,
Failing to notice pussy cat has come out to take a leak.

Our cat partakes of dinner when a sodden kangaroo
Emerges from the undergrowth and asks to use the loo.
Kangaroos aren't usually dangerous, for that would never do.

My goodness, will you look at all the animals queuing on the stairs!
Look at the animals in the zoo; how would you like to be one?
They're waiting to use the lavatory and putting chewing gum in each
other's hair.
Look at the animals, look at you; well how would you like to free one?

Good gracious, will you look at all the animals playing with their tools!
Look at the animals, look at you; well how would you like to queer one?
Flying from the chandeliers and treading in their elephantine stools.
Look at the animals, two by two; aren't you glad to be one?

This kangaroo's a lunatic and his pouch is very full
Of pussy cats and penguins who can't fly as a rule,
But then neither could the pussy cat: he never went to school.

The kangaroo gets nervous when confronted by the size
Of an elephant named Simon who is always telling lies;
He swears he wears green corduroys and can button up his fly.

Presently, a fatter Simon's indigestion fails.
He regurgitates the whole damn mess into an aluminum pail,
And the tiny ant scuttles back inside his watering can
Occasionally going out to look for bread and jam.
 
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"Look Into The Sun"

"Look Into The Sun"



Took a sad song of one sweet evening
I smiled and quickly turned away.
It's not easy singing sad songs
but still the easiest way I have to say.
So when you look into the sun
and see the things we haven't done --
oh was it better then to run
than to spend the summer crying.
Now summer cannot come anyway.

I had waited for time to change her.
The only change that came was over me.
She pretended not to want love --
I hope she was only fooling me.
So when you look into the sun
look for the pleasures nearly won.
Or was it better then to run
than to spend the summer singing.
And summer could have come in a day.

So if you hear my sad song singing
remember who and what you nearly had.
It's not easy singing sad songs
when you can sing the song to make me glad.
So when you look into the sun
and see the words you could have sung:
It's not too late, only begun,
we can still make summer.
Yes, summer always comes anyway.

So when you look into the sun
and see the words you could have sung:
It's not too late, only begun.
Look into the sun.
 
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"Love Story"

"Love Story"



Going back in the morning time
to see if my love has changed her mind, yeah.
I know what I will find
that she is wasting time,
she could be picking roses.

Going back in the morning time
to see if my love has seen the light, yeah.
Oh, I told her last night
she should improve her sight,
she could be painting the roof.

Going back in the morning time
to see if my love has come around, yeah.
She offered me no sound,
her head is in the ground,
She could be calling for winter.
 
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"Man Of Principle"

"Man Of Principle"



One day he'll walk from out of this place.
You'll see a quiet determination on his face.
He'll toe no lines. Suffer no fools.
But he'll raise three cheers to the losing team
from the other school.
A little dedication. A little pair of daddy's shoes to fill.
Compleat education. One day he'll be a man of principle.

And the battle's on. And he'll play to win.
Feel the blue blood rushing quick beneath his skin.
And grim they stand. And hard they fall.
Harder still, when their backs are up against the wall.
Gonna get your attention. But he's carrying his cross
to the other hill.
With divine intervention, he can be a man of principle.

In the evening light, with a fair-ground girl--
he stops himself as his head begins to whirl.
And he walks her home. And there's a kiss goodbye.
She feels a chill as she looks him in the eye.
Well, there's a time and a place now
and it's not tonight she'll bend his will.
Slow realization--she's looking at a man of principle.
Hung from the highest station by his old school tie--
undressed to kill
He could be a real sensation. But he's a man of principle.
 
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"March The Mad Scientist"

"March The Mad Scientist"



What would you like for Christmas:
a new polarity?
You're binary, and desperate to deal in high figures
that lick us with their hotter flame
lick each and everyone the same.
And March, the mad scientist,
brings a new change
in ever-dancing colours.

He rings it here and he rings it,
but no one stops to see
the change of fate and the fate of change
that slips into his pocket
so he locks it all away from view
and shares not what he thought you knew.
And April is summer-bound,
And February's blue.
And no one stops to see the colours.
 
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"Mayhem Maybe"

"Mayhem Maybe"



When we're working nights, the village round
the old church becomes scary town.
All curtained windows and bolted doors
but never a eye to see
as us fairy folks sweep from the hill.
Never caught us and never will.
Pulling roses and daffodils
mayhem in the high degree.

The blacksmith chased us all to ground.
They searched all night we were never found.
The tinker boys and the sheriff's men
shaking the tallest tree.
And we sat and watched the women hide.
Laughed so much we split our sides.
Scattered horses that they would ride
mayhem in the high degree.

We crossed through fields of midnight green
often heard but seldom seen.
Tore along hedges,stripping leaves
no-one could quite agree
whether we came from north or south.
We stole the screams from out their mouths
and go where no man would allow
mayhem in the high degree.

Like scaly carp and feathered swan
to nature's world we do belong.
We ride the thin winds of the night
and set dark spirits free.
We terrify the mare and foal.
The fox stood still and far too bold.
So we strung him up, brush neatly folded;
mayhem, maybe.
 
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"Minstrel In The Gallery"

"Minstrel In The Gallery"



The minstrel in the gallery looked down upon the
smiling faces.
He met the gazes --- observed the spaces between the
old men's cackle.
He brewed a song of love and hatred --- oblique
suggestions --- and he waited.
He polarized the pumpkin-eaters --- static-humming
panel-beaters --- freshly day-glow'd factory cheaters
(salaried and collar-scrubbing).
He titillated men-of-action --- belly warming, hands
still rubbing on the parts they never mention.
He pacified the nappy-suffering, infant-bleating
one-line jokers --- T.V. documentary makers
(overfed and undertakers).
Sunday paper backgammon players --- family-scarred
and women-haters.
Then he called the band down to the stage and he
looked at all the friends he'd made.

The minstrel in the gallery looked down on the
rabbit-run.
And threw away his looking-glass - saw his face in
everyone.
 
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