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""A Tunnel Into Muck""

""A Tunnel Into Muck""


[John:] Maybe the kayak is just a big worm
[Monica:] I found that to be a possibility
[Spider:] The worms stop in the tunnels sometimes
[John:] Where are the tunnels?
[Spider:] They're in the muck
[John:] In the muck?
[Spider:] Yeah, you saw the muck
[John:] But, you know, whenever I try to tunnel into muck, it always collapses on me
 
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""A Very Nice Body""

""A Very Nice Body""


[Louis:] Yes . . .
[Roy:] I kind of miss him
[Louis:] Yeah, me too
[Roy:] Getting on top of him and all
[Louis:] He had a very nice body too
[Roy:] Yeah, even though he was a, a . . . Oh well
[Louis:] A dual personality, you know
[Roy:] Yeah
[Louis:] We have to think of what he's doin' out there?
[Roy:] What did he go out there for anyway?
[Louis:] Maybe . . .
[Roy:] Maybe he wanted to get on top of one of those horse . . . ponies
[Louis:] Yes, maybe he wants to have intercourse with them!
[Roy:] What?
[Louis:] Intercourse!
[Roy:] Well, if he doesn't get clawed first
[Louis:] Yes, that's right. But, maybe, maybe he will find a real nice, a very nice kind horse, you know
[Roy:] A horse, yeah horse. Whore-sss
[Louis:] Boogey-man or something. Something out there. You might find a nice kind . . .
[Roy:] Boogey-man?
[Louis:] Well, something, you know. I don't know what it is myself - a horse - 'cause human beings, decent human beings. Nice place to live
[Roy:] Beans? You call them human beans?
[Louis:] And then before they turn to be boogey-men or . . .
[Roy:] That's why they came into the Steinway
[Louis:] Yes, that's why 'cause I just couldn't take them anymore, you know. They were vicious, too vicious. So I had to go, I had to, I had to come in here
[Spider:] Like, we can't understand what they're saying to each other
[John:] I know
 
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""Attack! Attack! Attack!""

""Attack! Attack! Attack!""


[Louis:] RAAAH! ATTACK! ATTACK! Attack and get on ee, eee, each pony or . . . boogey man or something
[Roy:] Sure, aren't you glad I'm not too hairy . . .
[Louis:] Yeah . . .
[Roy:] . . . Too hairy! . . . heh, heh
[Louis:] . . . That beats . . . yes . . . [Louie laughs like a turkey]
[Roy:] . . . That's why they have a lot of crabs . . .
[Louis:] . . . Yes, and um . . .
[Roy:] . . . A set of crabs?!
[Louis:] Crabs are really dangerous, and they r-r-rich as fires and every once in a while you walk in the streets and when I . . . when I heard of these from, from talk from my, from my home here, my piano!
[Gilly:] Huh, my piano . . . It's still dark in here . . . It's the same as it ever was . . . I'm here . . . [sigh] I'm not the same as I ever was

[Gilly:] Either you're here and I'm here or I'm very different . . .
[Girl #2:] . . . Than?
[Gilly: (Sigh)]
[Girl #1:] Now, wait a minute. I . . . those are my bass strings . . . and . . . uh . . . I . . . I get the bass strings. If there are going to be three of us here, I want the bass strings. That's all there is . . .
[Gilly: (Interrupting)] Who are you?
[Girl #1:] I live here!
[Girl #2:] I live here!
[Gilly:] Who are you?!
[Girl #2:] I live here
[Girl #1:] I live here!
[Gilly: (Sighs)] That's my name too
[All girls sigh]
[Gilly:] Were you ever not living here?
[Girl #1:] I don't think so
[Girl #2:] Nah, I was in a drum
 
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""Cold Light Generation""

""Cold Light Generation""


[John:] You know as well as I do that cold light generation depends on your state of health and energy
[Spider:] I'm gonna turn on a cold light
[Moon:] Don't you get it?
[Todd:] No, not at all
[Moon:] Don't you get it?
[Todd:] Not as often as I'd like to
[Moon:] I get it . . . It's weird . . . It's like . . .
[Mike:] Yo, I hear music!
[Ali:] Musik?
[Mike:] Music!
[Ali:] Musik? . . . draussen, gell?
[Mike:] There's a little party goin' on out here!
[Ali:] Ja, gell a party, da is irgendwo a Party!
[Mike:] A party in the piano . . .
[Ali:] Naa, ned im Piano
[Mike:] . . . yeah, P.P.
[Ali:] . . . Nah, ned im P.P.
[Mike:] Hey, P.P.
[Ali:] Naa, ned im Piano, im Piano is keine Party
[Mike:] Hey, listen . . . listen . . . listen, shhh!
 
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""Dark Water!""

""Dark Water!""


[Monica:] D-a-a-a-a-a-r-r-r-k W-a-a-a-t-e-r-r-r
[Spider:] Yeah, it's trying to say something . . .
[Monica:] D-a-a-a-a-a-r-r-r-k-k-k W-a-a-a-t-e-r-r-r
[Spider:] I know . . . It's not trying to say something to us at all . . . It's trying to say something to the pig
[John:] Dark water . . .
[Spider:] I forget . . . It's . . .
[John:] Dark water on top of the muck
 
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""Don't Eat There""

""Don't Eat There""


[includes a quote from Sleep Dirt]

[Waitress:] Are you having breakfast for lunch?
[Howard:] I'm having breakfast and he's lunched. I'll tell you what, what can you give me immediately? If not sooner, nothing hot, nothing . . . So that by the time he's finished eating those hot cakes and those dead things that I won't finish myself
[Waitress:] Bacon and eggs? Are you, are you gonna have breakfast?
[Dick:] No no no no no
[Howard:] No no
[Dick:] No no no no no
[Howard:] He'll never go for that
[Dick:] No no no, a roll and some orange juice
[?:] . . . Jimmy Graham
[Waitress:] Orange juice and . . . uh . . . a roll, uh-huh?
[Aynsley:] One stale roll
[Dick:] Yeah
[FZ:] Bread and water
[Aynsley:] One stale roll
[Dick:] Bread and water
[Waitress:] Thank you
[Howard:] Frank, you really missed it at the club last night. You should have seen what went on, man, if you would have had your tape recorder there, you would have been rolling on the ground, holding your sides. It was the greatest. Everybody was out of it, drinking wine, cheap wine. And then there was this group, this nice tight little group that was playin' and they did about two numbers, and he said: "Okay, uh, any of you guys wanna come up here?" And of course Old Stewed Simmons was the first one to check out the cat's guitar, and so he immediately procceeded to play lead. This chick came out of the audience, man, a la Janis Joplin in a gold lame, only she was rancid, and she came out there and tried to sing blues changes like Buddy Miles or something, but it just didn't work 'cause she was singing, "Get yourself together . . . You are where it's at . . . ," she did it for like . . . forty minutes, man, it was wonderful . . .
 
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""Don't Take Me Down""

""Don't Take Me Down""


[includes a quote from If I Were King Of The Forest (Harburg/Arlen)]

[Dick: (Snorks)]
[Howard:] "Not duke, not queen, but king." You haven't lost your touch, Gnarler, you can snort with the best of 'em
[Mark:] This guy said that a couple of guys have broken in the doors and shit
[Howard:] Oh, great, a riot! Just like Berlin!
[Mark:] They broke indoors 'cause there is a hassle about the bread or something, the money
[?:] Can I carry your brief?
[Mark:] No, thanks
[?:] No?
[Howard:] Can I brief your carry?
[Mark:] I'll do it
[Howard:] Really! Would you be my wife for an hour?

[Howard:] Right on! Right on!
([Opening Act:] Thank you very much)
[Howard:] Right on!
([Opening Act:] That's right, don't take me down. Don't do it)
[Howard:] Don't do it! Don't take me down! I don't wanna go down no more!
 
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""Flowing Inside-Out""

""Flowing Inside-Out""


[Spider:] Flowing inside out creates neutral energy. Now, that makes the light get thick. Then you've got this converter, and what that does, is, it takes this really thick light and . . . it rams it into this little compressor which then sucks the water out so that it envelops the bathtub in this big halo . . .
[FZ:] A halo of mu-messons
[Spider:] A halo of mu-mesons. And the whole problem here is that all you have to do is take that little modulator out and . . . uh . . .
[John:] Reverse the phase on it
 
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""Have You Ever Heard Their Band?""

""Have You Ever Heard Their Band?""


[Monica:] Have you ever heard their band?
[Spider:] I don't understand it though. Their band, I don't understand . . .
[Monica:] I . . . I don't think they understand it either
[Spider:] What? The smoke?
[John & Monica:] The band!
[Spider:] The band doesn't understand what?
[Monica:] Did you know that?
[FZ:] The smoke stands still
[John:] There's some kind of thing that's giving us all these revelations
[Spider:] Yeah, well that's the . . .
[John:] It's . . . It's . . . It's this funny voice . . . and he keeps telling us all these things and I . . . it . . . I just thought that before we just thought of these things . . . ya know, like just off the wall and out of our heads
[Spider:] No, that's religious superstition
 
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""Here Comes The Gear, Lads""

""Here Comes The Gear, Lads""


[Aynsley:] Here comes the gear, lads!
[Howard:] Dunbar . . .
[Jeff:] "Here comes the gear, lads"
[Howard:] I'm telling you man . . .
[Jeff:] Sounds like a Beatles cartoon
[Howard:] Key down
[Aynsley:] Just keep your mouth shut, you . . . Curly!
[?:] Look at those cars! The race cars
[Mark:] Sure sounds like the Beatles cartoon, "Hey, John Lennon here . . . "
[Jeff:] "Hey, Wankers, there goes the gear"
[Pilot:] Good evening, ladies and gentlemen, this is your passenger agent. I'd like to welcome you to aboard United's flight 664 to Spokane. We're departing in just a few more minutes. We'll just be a . . . couple minutes delayed due to loading some extra baggage.
[Mark:] Could that be ours?
[Pilot:] I'd like to remind you that the, the bags you've carried on, that they should be stored underneath the seat in front of you . . .
[Mark:] Howard?
[Pilot:] During the flight . . .
[Howard:] Uh, yes, Mark . . .
[Mark:] Would you like some film?
[Howard:] I would
[Pilot:] Hope you have a pleasant trip, and . . . thank you for flying United

[Stewardess:] Good night, all

Ha ha!
Now, the trip . . .
This is great!
 
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