MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Baby, Take Your Teeth Out"

"Baby, Take Your Teeth Out"



Baby take your teeth out
Try it one time
Baby take your teeth out
Try it one time
Leave 'em on the kitchen table

Baby take your teeth out
It'll be fine
Baby take your teeth out
It'll be fine
There ain't nothin' left to smile about

Baby take your teeth out
You look divine
Baby take your teeth out
You look divine
Go ahead and eat the label

Baby take your teeth out
I will recline
Baby take your teeth out
I will recline
There ain't nothin' left to talk about
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Bad Acting"

"Bad Acting"


[Mark:] Ever since you left the jazz world to seek fame and fortune in the rock'n'roll industry
[Martin:] Rock'n'roll! What d'ya mean rock'n'roll? This fucking band doesn't even play rock'n'roll, it's all that comedy crap
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Bamboozled By Love"

"Bamboozled By Love"



Bamboozled by love,
Oh lord, the shit done hit the fan
Bamboozled by love
Oh lord, the shit done hit the fan
The way that girl been carryin' on
I swear I just don't understand
Don't you know I treat her nice and kind
The way no other lover can
Now don't you know I treat her nice and kind
The way no other lover can
I came home the other day and she was
Suckin1 off some other man

I ain't the type for beggin'
I ain't the type to plead
If she don't change those evil ways
I'm gonna make her bleed
She can scream and she can holler
Bang her head all along the wall
If she don't give me what I want
She ain't gonna have no head at all

Bamboozled by love
I said she fooled around too long
Bamboozled by love
I said she fooled around too long
Now I am mad and gettin' meaner
I am here and she is gone
And the reason you have not seen her
She is underneath the lawn
I said she's underneath the lawn, lawn, lawn

Now look I ain't the type for beggin'
I ain't the type to plead
If she don't change those evil ways
I'm gonna make her bleed
She can scream and she can holler
Bang her head all along the wall
If she don't give me what I want
She gonna have no head at all

Bamboozled by love
I said she fooled around too long
Bamboozled by love, oh lord
I said she fooled too long
Now I am mad and gettin' meaner, meaner
I am here and she is gone
And the reason you have not seen her, seen her
Is she is underneath the lawn
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Be In My Video"

"Be In My Video"



Be in my video,
Darling, every night
I will rent a cage for you
And mi j-i-nits dressed in white (teeny-little-tiny-little...)

Twirl around in a lap dissolve
Pretend to sing the words
I'll rent a gleaming limousine
Release a Hock of
Ber-herna-herna-herna
Herna-her-nerds

Wear a leather collar
And a dagger in your ear
I will make you smell the glove
And try to look sincere, then we'll

Dance the blues
Let's dance the blues
Let's dance the blues
Under the megawatt moonlight

Pretend to be Chinese,
(One-hung-low)
I'll make you wear red shoes
There's a cheesy atom bomb explosion
All the big groups use

Atomic light will shine
Through an old Venetian blind
Making patterns on your face,
Then it cuts to outer space

With its billions & billions &
Billions & billions and

Be in my video,
Darling, every night
Everyone in cable-land
Will say you're 'outa-site'
You can show your legs
While you're getting in the car, then
I will look repulsive
While I mangle my guitar

Reen-toon-teen-toon-teen-toon
Tee-nu-nee-nu-nee,
Moo-ahhhh

Reen-toon-teen-toon-teen-toon
Tee-nu-nee-nu-nee,
Moo-ahhhh

Reen-toon-teen-toon-teen-toon
Tee-nu-nee-nu-nee,
Moo-ahhhh

Tee-nu-nee- - - -moo-ahhhh
Tee-nu-nee- - - -moo-wah-wah-wah-ooo

After all the close-up shots
Of you in bondage leather
They'll spray an alley with a hose
And we'll escape together, while we

Dance de blude agin
Led dance de blude agin
Led dance de blude agin
In de middle o' de alley

Let's dance your face
Let's dance your lips
Let's dance your nose
And then we'll dance your sinus

MOO-AHHHH!
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Be-Bop Tango"

"Be-Bop Tango"



Some of you may know that the tango, Which is not a very popular dance anymore, Was at one time reputed to be a dance of unbridled passion. Back in the old days when it wasn't so easy to get your rocks off, When it was hard to make contact with a member of the opposite camp And you had to resort to things like dancing close together And going hey...

Those were the days. Well those days are probably gone forever, I don't know, Unless Nixon is going to bring them back a little bit later. But we have this very special highly evolved permutated tango. It's actually a perverted tango. By the time... Yes, it's so perverted! This is the Be-Bop Tango, A special entertainment event that includes choreography a little bit later, so watch out folks...

You can turn on the big lights, we may need 'em. You know, the ones in the audience. Heh heh. Okay, 're you ready? Not too fast now 'cause I wanna get the right notes on the tape 'N' this, this has to be the one. This has to be the one with all the right notes on it. Okay, 're you ready? This is a hard one to play. One two three four...

The cowbell as a symbol of unbridled passion, ladies and gentlemen.

Now, as you might have noticed, Bruce Fowler has just completed some sort of trombone solo, Based on the-ah, idea of an evolved tango-event. Bruce has also prepared for you a demonstration of a dance That he hopes will sweep the ocean right after the Mud Shark did. Bruce is now warming up the important muscles of the body, In preparation...in preparation for the real live Be-Bop Tango Which we're gonna demonstrate. Napoleon will assist him. Napoleon just put your horn down, Just relax, Put your head back, Here comes the drill. Okay, heh heh heh, you know what I'm talkin' about? Okay.

This is sort of like jazz in it's own peculiar way. Jazz is not dead, it just smells funny! Okay, let's go! Yeah man, jazz man, you know what I mean? This is Be-Bop, Even though you think it doesn't sound like that. Be-Bop! Now, as you might have noticed, Some of you with a musical education Can tell that the notes that George just sang when he went: "This is Be-Bop, even though you think it doesn't sound like that", Is actually a sort of a twisted form of the theme of the tango itself Which will get even more depraved as the number goes on. George will now attempt to dismember that melody, Play it and sing it at the same time while... Tu-dup. Hey, that's the way! While we sort of dance to it. Okay, try it George. Tu-dup, tu-dee... Oh yeah! As I was saying. Now, what we'd like to do at this point Is get some volunteers from the audience to... I know you will, oh God you will... We need some...heh heh heh... Now, as a matter of fact you did, didn't you... No, we wanna have some people who've never tried it bef
ore, Who've never even thought of trying it before. A boy, a girl, preferably who like each other, Who would like to come up here and attempt to dance to what George sings. Do we have anybody who is...you're one.

Okay, what's your name?

Carl.

Your name is Carl? Please Carl step on to the stage. Pleased to meet you Carl. Alright. Okay? Let's see-ah, is there anybody in the, in the back? Where...oh-oh, hey! What's your name?

Rick.

Rick, and?

Jane.

Rick and Jane and Carl! Alright, here's how it works: There's a beat going on like this; That's a pedestrian beat. You don't dance to that beat, You dance to what George sings, okay? The little ones, okay? The little quick ones, okay? Ready? George, make them dance!

Dup. No no Rick, you're too reserved. Ready? Give it to 'em George! Tu-dup, tu-dup pu-dee-da... No no, come on now, loosen up. Listen, encourage them! When it... Ah! Okay! Alright, one more time: dance!

Tu-dup, du-dee-da... Let's study this phenomenon. Tu-duppy-dup-pu-dee-da... Now look, Rick and Jane and Carl, You're, you're wonderful but you're just too reserved. I still can... I know you will, maybe in a minute. Okay, I'll t-tell you what: Go back to your seats and we'll bring up the next batch. Okay? Carl, Rick and Jane! Alright, you wanna try...?

Anything you say Frank!

Oh my God! Alright, you're name is Lana, right? Lana dance!

Du-dup-dee-dup... Now that's more like it. Du-dup-dee-dup... Lana, you're so good we have to bring up some other people to assist you. Brenda, imported from Edward's Air Force Base, where she... Ladies and gentlemen, Brenda... Brenda is a professional harlot And she just got finished stripping for a bunch of guys at Edward's Air Force Base, And she made it down here in time for the show. Two hours of taking it off for the boys in the car, really good. Okay. Heh. Brenda, Brenda has a lovely assistant named Carl, Or Robert James Davis if you prefer. Herb Cohen, ladies and gentlemen! Okay, dance!

Du-du-dip... You're still too adagio, I keep telling you! Du-dup-du-dee-da... Turn on the bubble machine! Dup-dee-da, dup-dee-da... God, is that a cheap bubble-machine! Bow, du-du-du-du-du-da... Ladies and gentlemen: Don's ex-wife! Ladies and gentlemen, You're probably sitting in your chairs, Saying to yourselves: I could do that. And of course you can! And now is your big chance! All you have to do, The first step is easy, All you gotta do is stand up. Go ahead, just stand up. There you go, you are standing up. Yes, some of you are not standing up But you won't have as much fun as the ones who are standing up. Okay, turn on the big lights so everybody can see what's going on. Yes, very many of you are standing up. Okay, link your mind with the mind of George Duke! And when...

Du-dup... That's it! When he plays those funny fast little notes, Twitch around and have a good time with the Be-Bop Tango, Let's try it! Anything you wanna do is alright. You gotta do anything you wanna do, it's alright. Yes you got to know you came to the right place, tonight. (Give me some of that wine now). As you might have guessed, ladies and gentlemen, This is the end of our concert. We like to thank you ver... Wanna thank you very much for coming. Hope you had a good time. Bruce Fowler on trombone, Napoleon Murphy Brock on tenor sax and lead vocals, Ruth Underwood on percussion, Ralph Humphrey on drums, Chester Thompson on drums, Tom Fowler on bass And George Duke on the keyboards. Thank you very much. Alright, alright...
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Be-Bop Tango (Of The Old Jazzmen's Church)"

"Be-Bop Tango (Of The Old Jazzmen's Church)"


[FZ:] Some of you may know that the tango, which is not a very popular dance anymore, was at one time reputed to be a dance of unbridled passion, back in the old days when it wasn't so easy to get your rocks off, when it was hard to make contact with a member of the . . . opposite camp, and you had to resort to things like dancing close together and going hey . . . Those were the days. Well, those days are probably gone forever, I don't know, unless Nixon is going to bring them back a little bit later, but, we have this very special highly evolved permutated tango. It's actually a perverted tango. By the time . . . Yes, it's so perverted! This is the "Be-Bop Tango," a special entertainment event that includes choreography a little bit later, so watch out, folks . . . You can turn on the big lights, we may need 'em. You know, the ones in the audience. Heh heh heh. Okay, you're ready? Not too fast now 'cause I wanna get the right notes on the tape 'n this, this has to be the one. This has to be the one with all the right notes on it. Okay, 're you ready? 'N this is a hard one to play . . . One, two, three, four . . .

[FZ:] The cowbell as a symbol of unbridled passion, ladies and gentlemen.

[FZ:] Now, as you might have noticed, Bruce Fowler has just completed some sort of trombone solo, based on the, uh, idea of an evolved tango-event. Bruce has also prepared for you a demonstration of a dance that he hopes will sweep the ocean, right after the Mud Shark did. Bruce is now warming up the important muscles of the body, in preparation . . . in preparation for the Real Live Be-Bop Tango which we're gonna demonstrate. Napoleon will assist him.
[Napoleon:] Wait a minute now . . .
[FZ:] Napoleon, just put your horn down, just relax, put your head back, here comes the drill. Okay, ha ha ha, you know what I'm talkin' about? Okay . . . This is sort of like JAZZ in it's own peculiar way . . . JAZZ IS NOT DEAD, IT JUST SMELLS FUNNY . . . Okay, let's go!
[George:] Yeah, man, JAZZ, man, you know what I mean?

This is Be-Bop,
Even though you think it doesn't sound like that

(Be-Bop . . . ! That's no Be-Bop!)

[FZ:] Now, as you might have noticed, some of you with a musical education can tell that the notes that George just sang when he went: "This is Be-Bop, even though you think it doesn't sound like that," it's actually a sort of a twisted form of the theme of the tango itself which will get de . . . even more depraved as the number goes on. George will now attempt to dismember that melody, play it and sing it at the same time while . . .

Pe-dop!

[FZ:] Hey, that's the way . . . while we sort of dance to it, okay? Try it, George . . .

Pe-do-do-dum-deh-dum-deh do-do-deh-dum-deh
Tee-do-do-TEEP
Goop
Do-do
Tee-dum-do-do tee-dum-do-do KEEP do-deah
E-dum do-dee-dum
Do-do-dee-doo
Do-dee-DAH . . .
OH, YEAAAAH!

[George:] As I was saying . . .
[FZ:] Now, what we'd like to do at this point is get some volunteers from the audience to . . . I know you will, oh God, you will . . . We need some . . . heh heh heh . . . Now, as a matter of fact you did, didn't you . . . No, we wanna have some people who've never tried it before, who've never even thought of trying it before. A boy, a girl, preferably who like each other, who would like to come up here and attempt to dance to what George sings . . .

Pe-dop

[FZ:] Do we have anybody whose . . . ? You're one. Okay, what's your name?
[Carl:] Carl.
[FZ:] Your name is Carl? Please, Carl, step on to the stage . . . Pleased to meet you, Carl

Pe-do-dum-dee
Dum-dee-dum-de-de-dop

[FZ:] Alright. Okay? Let's see, uh . . . is there anybody in the, in the back? Well . . . oh-oh, hey! What's your name?
[Rick:] Rick.
[FZ:] Rick, and?
[Jane:] Jane.
[FZ:] Jane . . . RICK and JANE and CARL! Alright, here's how it works: There's a beat going on like this; an' that's a pedestrian beat. You don't dance to that beat, you dance to what George sings . . .

Peddle-up

[FZ:] Okay? The little ones, okay? The little quick ones, okay? Ready? George, make them dance!

Dup

[FZ:] No, no, Rick, you're too reserved. Ready? Give it to 'em George!

Pe-dup-dum-dup
Dum-dup dum-deddle-do-do-dup
Dum-deddle-dup

[FZ:] No . . .

Pe-dum duddle-deddle-dup
Do-do-dee-doo
Do-dee-DAH

[FZ:] No, no, come on now, loosen up! Listen, encourage them! When it, when . . . Ah! Okay! Alright, one more time: dance!

Pee-deddle-dup PE-DOP
Doop doop dum deddle-de-dup pe-dop dum-de-dee-dah
De-dum de-dum do-dee-up
Po-dee
Po-dee do-dee-dum
Do-we-ooh doo-doo-roo-doo
De-da-da dee-dah

[FZ:] Let's study this phenomenon

De-dum do-de-dum
Do-ah-dee po-dee-DAH
De-dum do-de-dum
Po-dah-dee po-dee-DAH
De-dum do-de-dum
Do-dah-dee po-dee-DAH
De-dum doddle-dee-oh-du-dup
De-dum dup
De-dum do-wee-oh-do-dup
De-dum doddle-dee-oh-du-dup
De-dum doo-wee-ooh dup-du-ep
De-deddle-de-deddle-de-dum-du
Deddle-de-deddle-dew-du-dup . . .

[FZ:] Now look, Rick and Jane and Carl, you, you're wonderful but you're just too reserved
(I still can, Frank!)
[FZ:] I know you will, maybe in a minute. Okay, I'll t-tell you what: Go back to your seats and we'll bring up the next batch, okay? Carl, Rick and Jane! Alright, you wanna try . . .
[Lana:] I'll do anything you say Frank . . .
[FZ:] OH, MY GOD! Awright, your name is Lana, right? Lana, dance!

De-dum do-dep dum-deddle-dup
De boop
Boop bep
Do-duddle-do
Dep-de-dum

De-dum do-de-dum
Po-dah-dee-ooh po-dee-DAH

[FZ:] Now that's more like it

Do-um-de-um do-um deddle-doop
De-do dee-dap
Po-da-dum do-deddle-do-dee-dah
Deddle-deddle-dup
Twiddle-dep

Do-dum-do-deh
Do-de-dum de-dep
A-doo-be-doo-deh
Doo-be-doo-deh
Do-be-dop
Be-doo-be-do-pe-de-bop
Pa-doo-be-deh
Pa-doo-do-do-dah
Do-doo-do-pe-deh
Do-doo-doo-dah
Pa-do-pa-doo-pe-dep
Do-doo-doo-dah

[FZ:] Lana, you're so good we have to bring up some other people to assist you. Brenda, imported from Edward's Air Force Base, where she . . . Ladies and gentlemen, Brenda . . . Brenda is a PROFESSIONAL HARLOT, and she just got finished stripping for a bunch of guys at Edward's Air Force Base, and she made it down here in time for the show. Two hours of taking it off for the boys in the core, really good. Okay. Heh. Brenda, Brenda has a lovely assistant named Carl, or Robert James Davis if you prefer. Herb Cohen, ladies and gentlemen! Okay, dance!

Du-du-dip
Du-dep
De-dum de-um-dum
Um-deddle-um-deddle
De-dum-de-dum
Oo-wee-oo-DEP
Pe-de-dum de-dum deddle-dop

[FZ:] You're still too adagio, I keep telling you!

Be-dum de-dum
Do-ah-dee po-dee-DAH
Po-dee-DAH . . .
Po-dee-DAH . . .

[FZ:] Turn on the bubble machine!

Oop-dwe-DAH
Oop-dwe-DAH
Deep-dwe-DAH . . .

Do-we do-do-de-dum
Deddle-de-dum
Oo-we-oo-wop-deddle-de-doop
Be-deddle-dep um-dep um-dep
Um-diddy-up um-dup
Deek-ne-dah

[FZ:] God, is that a cheap bubble-machine!

Now, wha . . . [?]
OW, po-eh-doo-dum do-do-DAH-woo
Wo-de-um do-doo we-dep
Deddle-dup boo-zoo-woo eh-de-DAH-wo-zip

[FZ:] Ladies and gentlemen: DUNT'S EX-WIFE!

[FZ:] Ladies and gentlemen, you're probably sitting in your chairs, saying to yourselves: "I could do that!" And of course you can! And now is your big chance, all you have to do, first step is easy, all you gotta do is stand up. Go ahead, just stand up. There you go, you are standing up. Yes, some of you are not standing up, but you won't have as much fun as the ones who are standing up. Okay, turn on the big lights so everybody can see what's going on. Yes, very many of you are standing up. Okay, LINK YOUR MIND WITH THE MIND OF GEORGE DUKE!

Deddle-du-dup

[FZ:] And when . . . That's it! When he plays those funny fast little notes, twitch around and have a good time with the Be-Bop Tango, let's try it!

Anything you wanna do
Is alright
Wanna do
Anything you wanna do
Is alright
Yes, there, guys, you know you came to the right place
Tonight
(Give me some of that wine now)

[FZ:] As you might have guessed, ladies and gentlemen, this is the end of our concert. We'd like to thank you ver . . . would like to thank you very much for coming, hope you had a good time!
Bruce Fowler on trombone,
Napoleon Murphy Brock on tenor sax and lead vocals,
Ruth Underwood on percussion,
Ralph Humphrey on drums,
Chester Thompson on drums,
Tom Fowler on bass
And George Duke on the keyboards
Thank you very much!

Alright (Alright)
Alright (Alright)
Alright (Alright)
Alright (Alright)
Alright (Alright)
Alright (Alright)
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Beat It With Your Fist"

"Beat It With Your Fist"


[includes part of the leather conversation]

[John:] Keep on to it . . . ahm . . . Who's out there Gross Man? I know they're Gross Men . . .
[Girl:] No!
[Louis:] It 'cause . . . all my body! No . . . honey . . . Boogey-man or something, nothing's on there, Boogey-man!

[O'Hearn:] God! Right . . . well, oh, fuckin' . . .
[Bozzio:] Beat this fuckin' surfist . . .
[Moire:] No way, (gato . . .)
[O'Hearn:] Yeah, for Christ, beat it with your fist, for Christ . . .
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Beauty Knows No Pain"

"Beauty Knows No Pain"



Beauty knows no pain
So what you cryin' about
Girl
Beauty knows no pain
So what you cryin' about
Girl
Beauty knows no
Beauty knows no
Beauty knows no
Even if yer plain
You could be tryin' it out
Girl
Even if yer plain,
You could be tryin' it out
Girl
Beauty is no
Beauty is no
Beauty is no

Beauty is a bikini wax 'n waitin' for yer nails to dry
Beauty is a colored pencil, scribbled all around yer eye
Beauty is a pair of shoes that makes you wanna die
Beauty is a Beauty is a Beauty is a Lie

But you don't care if if s a lie
'Cause you are such a beautiful guy
Your head is north, your feet is south
And you save the rest for Charlie's mouth
Your head is north
Your feet is south
And you save the rest for
CHARLIE'S ENORMOUS MOUTH. . .
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Beer Shampoo"

"Beer Shampoo"


[Mark:] That's the kind of guy [?]
[Aynsley:] When you just stopped it was running on your head
[Howard:] Well I had to do an Edward Arnold slow-burn, man, there was nothing else I could do, 'cept play it for all it was worth
[Aynsley:] I said the only other thing to do is go get another can of beer and pour it over HIS head . . .
[Howard:] Well, it was already getting silly, man. I mean, it was remedial as it is, I think . . .
[FZ:] Ha ha!
[Howard:] Let's not make it too childish
[Aynsley:] [?]
[Mark:] Every night for a year and a half, man, no matter how sick I was, or how I felt on stage . . .
[?:] Howie [?]
[Mark:] He, I used to sing, he used to sing "How is the weather" in "Happy Together" and pour a whole glass of water over my head, man, and he liked it so much that he made it an integral part of the show, the kids loved it, so I just let it keep happening
[Aynsley:] He can't stand it, man, that's all . . .
[Mark:] And you're just a pansy ass, kiss ass little girl . . .
[?:] Ha ha ha!
[Mark:] Simmons!
[Howard:] Beer is another thing, man! I'm fucking soaked!
[Mark:] They use beer in some shampoos, Howard
[Howard:] I don't give a shit, that's all I know it that water would dry up and not stain, and he ruined my shoes, man! I can't believe it
[?:] Ohhh!
[Mark:] Materialist!
[Howard:] Hey lookit, Pat McGregor!
[Mark:] Materialistic! Materialistic!
[Howard:] You're the dude who said . . .
[scuffle]
[FZ:] Oh oh oh!
[Mark:] Materialist!
[?:] Ohhh
[Howard:] Don't do it to you, I don't have any beer, man
[Aynsley:] Okay
[Mark:] "New York's so lonely . . . "
[Howard:] I can't even . . . you keep your hands off me you creep
[Mark:] "And you are the only . . . "
[Jeff:] You creep, ha ha!
[Howard:] Stop it, man!
 
MODERATOR
Učlanjen(a)
06.07.2010
Poruka
30.266
"Big Leg Emma"

"Big Leg Emma"


There's a big dilemma
'Bout my Big Leg Emma, uh-huh, oh yeah
There's a big dilemma
'Bout my Big Leg Emma, uh-huh, oh yeah
She used to knock me out
Until her face broke out

There's a big dilemma
'Bout my Big Leg Emma, uh-huh, oh yeah
There's a big dilemma
'Bout my Big Leg Emma, uh-huh, oh yeah
She was my steady date
Until she put on weight
[etc.]
 
Natrag
Top