Hard Rock/Heavy Metal Collection

Pink Floyd - The Division Bell (1994)



Quality: 320 Kbps

1. "Cluster One" (David Gilmour, Richard Wright) – 5:58
o Instrumental
2. "What Do You Want from Me?" (Gilmour, Wright, Polly Samson) – 4:21
3. "Poles Apart" (Gilmour, Samson, Nick Laird-Clowes) – 7:04
4. "Marooned" (Gilmour, Wright) – 5:29
o Instrumental
5. "A Great Day for Freedom" (Gilmour, Samson) – 4:17
6. "Wearing the Inside Out" (Wright, Anthony Moore) – 6:49
o Lead vocals: Richard Wright
7. "Take It Back" (Gilmour, Samson, Laird-Clowes, Bob Ezrin) – 6:12
8. "Coming Back to Life" (Gilmour) – 6:19
9. "Keep Talking" (Gilmour, Wright, Samson) – 6:11
10. "Lost for Words" (Gilmour, Samson) – 5:14
11. "High Hopes" (Gilmour, Samson) – 8:32

The Division Bell is the final studio album by Pink Floyd, released in 1994 (30 March in the United Kingdom and 5 April in the United States), and their second album without Roger Waters. It was recorded at a number of studios, including guitarist/vocalist David Gilmour's houseboat studio called The Astoria. It went to #1 in the UK and debuted at the top of the U.S. Billboard 200 album charts in April 1994, spending four weeks as the top album in the country. By contrast, Pink Floyd's previous album, A Momentary Lapse of Reason, had peaked at #3. The Division Bell was certified Gold, Platinum, and Double Platinum in the U.S. in June 1994 and Triple Platinum in January 1999. Its release was accompanied by an extremely successful tour documented in the P•U•L•S•E album released the following year.

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Pink Floyd - Relics (1971)



Quality: 192 Kbps

1. "Arnold Layne" (Syd Barrett) – 2:56
o Single A-side released 11 March 1967
o Lead vocals: Syd Barrett
2. "Interstellar Overdrive" (Syd Barrett/Roger Waters/Richard Wright/Nick Mason) – 9:43
o From The Piper at the Gates of Dawn 1967
o Instrumental
3. "See Emily Play" (Syd Barrett) – 2:53
o Single A-side released 17 June 1967
o Lead vocals: Syd Barrett
4. "Remember a Day" (Richard Wright) – 4:29
o From A Saucerful of Secrets 1968
o Lead vocals: Richard Wright
5. "Paintbox" (Richard Wright) – 3:33
o Single B-Side to "Apples and Oranges", released 18 November 1967
o Lead vocals: Richard Wright
6. "Julia Dream" (Roger Waters) – 2:37
o Single B-Side to "It Would Be So Nice", released 13 April 1968
o Lead vocals: David Gilmour
7. "Careful with That Axe, Eugene" (David Gilmour/Roger Waters/Richard Wright/Nick Mason) – 5:45
o Single B-Side to "Point Me at the Sky", released 7 December 1968
o Instrumental
8. "Cirrus Minor" (Roger Waters) – 5:18
o From Soundtrack from the Film More 1969
o Lead vocals: David Gilmour
9. "The Nile Song" (Roger Waters) – 3:25
o From Soundtrack from the Film More 1969
o Lead vocals: David Gilmour
10. "Biding My Time" (Roger Waters) – 5:18
o Previously unreleased
o Lead vocals: Roger Waters
11. "Bike" (Syd Barrett) – 3:21
o From The Piper at the Gates of Dawn 1967
o Lead vocals: Syd Barrett

Relics is a compilation album by Pink Floyd released in 1971. The album was released on 14 May in the UK and 15 July in the United States. A re-mastered CD was released in 1996 with a different album cover; a three-dimensional version of the original sketch drawn by drummer Nick Mason for the initial release.

The release of Relics was sparked by the success of Atom Heart Mother which peaked at #1 on the British charts. The album has been released on numerous occasions, and at times without the proper authority. One such incident involved EMI Australia releasing the album without the band's consent. This led to the LP being withdrawn and the album as a result became a rarity. A reissue of the album in 1996 meant that it could be purchased easily again.[1]

Until the more definitive release of The Early Singles (1992), Relics was most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It is notable that the Relics versions of "Paintbox", "Julia Dream" and "Careful with That Axe, Eugene" are mixed in stereo. Relics has the only CD release of "Paintbox" that has the same length (3:33) that the original single version had; on the albums The Early Singles (1992), 1967: The First Three Singles (1997), and the 40th anniversary edition of The Piper at the Gates of Dawn (2007), it fades out about 13 seconds later.

The album also includes a previously unreleased studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

Songs previously released on albums are identical to their album versions.

Relics reached #34 in the UK and #153 in the US. When re-released in the UK on 9 March, the album reached #48.

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Pink Floyd - Pulse (1995)



Quality: 320 Kbps

Disc one

Lead vocals performed by David Gilmour unless stated otherwise.

1. "Shine On You Crazy Diamond (Parts 1-5 and 7)" (David Gilmour, Roger Waters, Richard Wright) – 13:35
o Earls Court, London on October 20, 1994
2. "Astronomy Domine" (Syd Barrett) – 4:20
o Earls Court, London on October 15, 1994
o Lead vocals: Richard Wright and David Gilmour
3. "What Do You Want from Me" (Gilmour, Wright, Polly Samson) – 4:10
o Rome, September 21, 1994
4. "Learning to Fly" (Gilmour, Anthony Moore, Bob Ezrin, Jon Carin) – 5:16
o Earls Court, London on October 14, 1994
5. "Keep Talking" (Gilmour, Wright, Samson) – 6:52
o Hannover, August 17, 1994
6. "Coming Back to Life" (Gilmour) – 6:56
o Earls Court, London on October 13, 1994
7. "Hey You" (Waters) – 4:40
o Earls Court, London on October 13 + 15 (last verse), 1994
o Lead vocals: David Gilmour and Jon Carin
8. "A Great Day for Freedom" (Gilmour, Samson) – 4:30
o Earls Court, London on October 19, 1994
9. "Sorrow" (Gilmour) – 10:49
o Rome, September 20, 1994
10. "High Hopes" (Gilmour, Samson) – 7:52
o Earls Court, London on October 20, 1994. Some parts ("forever and ever" line and part of lap steel solo) from London, October 14-19 or 21-29, 1994
11. "Another Brick in the Wall (Part Two)" (Waters) – 7:08
o Earls Court, London on October 21, 1994
o Lead vocals: David Gilmour and Guy Pratt
12. "One of These Days" (cassette and LP versions only) (Gilmour, Waters, Wright, Nick Mason) – 6:45
o Earls Court, London on October 16 + 20 (last part), 1994
o Instrumental

Disc two (The Dark Side of the Moon)

1. "Speak to Me" (Mason) – 2:30
o Earls Court October 20, 1994
o Instrumental
2. "Breathe" (Gilmour, Waters, Wright) – 2:33
o Earls Court October 20, 1994
o Lead vocals: David Gilmour and Jon Carin
3. "On the Run" (Gilmour, Waters) – 3:48
o Earls Court October 20, 1994
o Instrumental
4. "Time" (Gilmour, Waters, Wright, Mason) – 6:47
o Explosion recorded in London, October 15, 1994. Intro recorded in Modena September 17, 1994. The rest of song and most of Breathe Reprise was recorded in Rome, September 20, 1994. Ending of Breathe Reprise recorded in London, October 20, 1994
o Lead vocals: David Gilmour and Richard Wright
5. "The Great Gig in the Sky" (Wright, Torry) – 5:52
o London, October 20, 1994
o Lead vocals: Sam Brown, Claudia Fontaine and Durga McBroom
6. "Money" (Waters) – 8:54
o Modena, September 17, 1994. Part of sax solo from London October 1994
7. "Us and Them" (Waters, Wright) – 6:58
o London, October 20, 1994. Second and third choruses London, October, 19 1994.
8. "Any Colour You Like" (Gilmour, Wright, Mason) – 3:21
o London, October 23, 1994. Last part recorded in London, October 19, 1994.
o Instrumental
9. "Brain Damage" (Waters) – 3:46
o London, October 19, 1994
10. "Eclipse" (Waters) – 2:38
o London, October 19, 1994
11. "Wish You Were Here" (Gilmour, Waters) – 6:35
o Rome, September 20, 1994
12. "Comfortably Numb" (Gilmour, Waters) – 9:29
o London, October 20, 1994
o Lead Vocals: Jon Carin, Guy Pratt, and Richard Wright (verses); Gilmour (choruses)
13. "Run Like Hell" (Gilmour, Waters) – 8:36
o London, October 15, 1994
o Lead vocals: David Gilmour and Guy Pratt

Pulse (stylized as P•U•L•S•E) is a live double CD by Pink Floyd, released on May 29, 1995 in the UK and on June 6, 1995 in the US, containing songs from their albums The Piper at the Gates of Dawn, Meddle, Dark Side of the Moon, Wish You Were Here, The Wall, A Momentary Lapse of Reason, and The Division Bell.

The album was recorded during the band's Division Bell tour in 1994, specifically the UK and European leg, which ran from July to October 1994.

The album includes a complete live version of The Dark Side of the Moon and features a booklet with many photos from performances on this tour. It also features "Astronomy Domine", a Syd Barrett song not performed since the early 1970s, as a tribute to the original Pink Floyd guitarist.

Unlike Delicate Sound of Thunder, David Gilmour and producer James Guthrie have stated that no parts of the songs were re-recorded in the studio. However, the band and Guthrie fixed songs that had bad notes (as heard on some bootlegs) by lifting solos and corrected vocal lines from other performances as the band recorded most of the European leg.

In the U.S., Pulse debuted at #1 on the Billboard 200 in June 1995 (briefly dethroning Hootie and the Blowfish's Cracked Rear View for a week before Hootie regained the #1 spot in the U.S.) and was soon certified Double Platinum on July 31, 1995.

The cassette issue had two bonus tracks: "One of These Days" and a 22 minute ambient piece that was played prior to the 1994 concerts.

The vinyl version comes in a four-LP box and includes "One of These Days" as well as a large version of the photo booklet. The video version (the only release of Pulse with an accurate running order) also featured the song "Take It Back," and was, in fact, the near complete performance from their October 20th show at Earl's Court, London.

On July 10, 2006, the Pulse DVD was released of the concert performed on October 20, 1994 at Earls Court Exhibition Centre, London.

The original CD cover features a "eye-like" machine that has clock pieces inside, there is a planet in its centre, and on the outside it shows evolution as it moves backwards. It starts in the sea, moves to the bacteria which evolve into fishes, then into egg type creatures, then into eggs that hatch birds, and birds follow the trail of an aeroplane. There are six pyramids in the desert, and in the bottom of the sea, one can observe a city in the shore.

Early CD versions came with a blinking red LED on the side of the case, that flashed to the heartbeat heard at the beginning of Dark Side of the Moon. This was designed by EMI contractor Jon Kempner (who incidentally was awarded the platinum disc) using the (now discontinued) LM3909 LED flasher IC. The circuit was powered by a single AA cell; this was theoretically replaceable in that it was fitted in a battery holder rather than soldered onto the circuit board. However, the circuit board is hidden behind a glued-in cardboard cover; removing it from the case to replace the battery requires careful use of a long-handled scalpel. In some cases, the battery holder was fitted to the circuit board the wrong way round, so the "+" and "-" markings on holder and cell do not correspond. The battery life was stated to be over 6 months.

Some versions were also made with 2 AA batteries that were easier to replace. The LED and battery can be removed by rapping the open end of the case on a firm surface until the cardboard flap attached to the battery compartment slides out far enough. This flap can be used to gently pull the circuit compartment out the rest of the way and replace the batteries.

Later editions of the CD set did not feature the blinking LED.

The complete text from the sleeve notes concerning the LED reads:

Might we suggest that if the pulsing LED begins to drive you crazy, turn the box round so the LED faces to the wall or the back of your shelf. If it begins to drive you really crazy, then separate the outer slip case from the book, leave the book in your CD collection, and put the slip case in your car or potting shed where it might look and act like a burglar alarm. The battery for the LED should last more than six months and is replaceable, if you can get to it, that is, without trashing the case. The battery must not, of course, be exposed to fire or high temperatures which can cause cells to leak or explode. The LED is set at the average human pulse speed so it can be used as an anti stress device - just check your own pulse against it. It is designed primarily for easy finding thereby avoiding uncomfortable neck twisting or eye squinting to read the spine. The LED is also like the opening heartbeat of the Dark Side of the Moon. Most particularly the LED pulses... it is a live phenomenon... like the music.

The debut of the album was highlighted by a minor light show from the top of the Empire State Building in New York City.

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Pink Floyd - Obscurred By Clouds (1972)



Quality: 320 Kbps

1. Obscured by Clouds
2. When You're In
3. Burning Bridges
4. The Gold it's in the...
5. Wots...Uh the Deal
6. Mudmen
7. Childhood's End
8. Free Four
9. Stay
10. Absolutely Curtains

Obscured by Clouds is a rock album by Pink Floyd based on their soundtrack for the French film La Vallée, by Barbet Schroeder. Some copies of the album refer to the film by its alternate English title, The Valley. The LP was released in the UK on June 3, 1972 on Harvest/EMI and then in the U.S. on June 15, 1972 on Harvest/Capitol. The album reached #6 on the UK album charts and #46 on the U.S. album charts (where it was certified Gold by the RIAA in March, 1994). In 1986, the album was released on CD. A digitally remastered CD was released in March 1996 in the UK and August 1996 in the U.S.

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Pink Floyd - Soundtrack to the film "More" (1969)



Quality: 320 Kbps

1. "Cirrus Minor" (Roger Waters) – 5:18
2. "The Nile Song" (Waters) – 3:26
3. "Crying Song" (Waters) – 3:33
4. "Up the Khyber" (Nick Mason, Richard Wright) – 2:12
5. "Green Is the Colour" (Waters) – 2:58
6. "Cymbaline" (Waters) – 4:50
7. "Party Sequence" (Waters, Wright, Gilmour, Mason) – 1:07
8. "Main Theme" (Waters, Wright, Gilmour, Mason) – 5:28
9. "Ibiza Bar" (Waters, Wright, Gilmour, Mason) – 3:19
10. "More Blues" (Waters, Wright, Gilmour, Mason) – 2:12
11. "Quicksilver" (Waters, Wright, Gilmour, Mason) – 7:13
12. "A Spanish Piece" (Gilmour) – 1:05
13. "Dramatic Theme" (Waters, Wright, Gilmour, Mason) – 2:15

Soundtrack from the Film More is Pink Floyd's first full-length soundtrack. The film More was directed by Barbet Schroeder; in it, two songs can be heard that were not included on the album: "Seabirds" and "Hollywood". The album actually comprises the other music used in the film, sometimes in a completely different form.

The original American edition shortened the title to just More. Although the CD edition restores the original UK title in all countries, it is represented differently on the spine (Music from the Film More) and label (Soundtrack to the Film More).

More contains some acoustic folk ballads, a genre that will appear sparsely on later works, a couple of hard rock songs ("The Nile Song", "Ibiza Bar"), and some instrumental tracks featuring their experimental (or avant-garde) approach and their trademark spacey/electronic sound (such as "Quicksilver" and "Main Theme"). Elsewhere, they rely on distinctive harmonic and melodic progressions, such as the surreal chord progression in "Cirrus Minor" or the D dim chord in "Crying Song".

This is Pink Floyd's first album without founding member Syd Barrett, who was ousted from the group in early 1968 during the recording of their previous album, A Saucerful of Secrets. It is also the first album to be produced by Pink Floyd without assistance from Norman Smith and was recorded at Pye Studios, Marble Arch, London and engineered by Brian Humphries.

Soundtrack from the Film More reached #9 in the UK and—upon re-release in 1973—#153 in the US. In 1987, the album was re-released on CD. A digitally remastered CD was released in 1995 in the UK and 1996 in the US.

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Pink Floyd - Meddle (1971)



Quality: 320 Kbps

1. One of These Days
2. A Pillow of Winds
3. Fearless
4. San Tropez
5. Seamus
6. Echoes

Meddle is an album by English progressive rock band Pink Floyd. It was recorded at various studios in between the band's live touring commitments from January to August 1971.

Originally released in the U.S. on 30 October 1971 by Harvest/Capitol and in the UK on 5 November by Harvest/EMI, the album was later remastered three times: first by MFSL in 1984 on high-quality vinyl and cassette, then in 1989 for Ultradisc, and finally by Doug Sax (supervised by James Guthrie) for the 1992 Shine On box set. This latter digital master was used for a CD reissue with additional artwork by Hipgnosis, released August 1994 in Europe and April 1995 in the U.S.

Though the tracks have a variety of moods, Meddle is generally considered more cohesive than its 1970 predecessor Atom Heart Mother, and is thought by many fans to be Pink Floyd's first truly great album recorded without Syd Barrett. It enjoyed some commercial success in the United Kingdom (reaching #3 on the charts), but lacklustre publicity on the part of Capitol Records led to weak sales in the U.S. However, Meddle was later certified gold by the RIAA in October 1973 and then double platinum on 11 March 1994 following the added attention garnered by the band's later successes in America.

"One of These Days" opens the album with an ostinato bassline, played by both David Gilmour and Roger Waters, with Gilmour playing slide guitar. In later years, Gilmour would play the slide part with a lap steel guitar, mounted on legs, similar to a pedal steel guitar. A largely instrumental piece, the only lyric, 'One of these days I'm going to cut you into little pieces', is spoken by Nick Mason. It is followed by "A Pillow of Winds", which is distinguished by being one of the few quiet, acoustic love songs in the Pink Floyd catalogue. These two songs segue into each other via wind effects, anticipating the same technique that would later be used on Wish You Were Here.

The song "Fearless" employs field recordings of the Liverpool F.C. Kop choir singing "You'll Never Walk Alone", their anthem, which brings the song to an end in a heavily reverberated fade-out. "San Tropez", by extreme contrast, is a jazz-inflected pop song with a shuffle tempo, composed by Waters in his increasingly-deployed style of breezy, off-the-cuff songwriting. Pink Floyd give a rare glimpse into their sense of humour with "Seamus", a pseudo-blues number featuring a dog howling along to the music. "Seamus" was remade as "Mademoiselle Nobs", featuring a different dog and no lyrics, in the film Pink Floyd: Live at Pompeii.

The final song on the album is the 23-minute underwater epic "Echoes". "Echoes" also gave its name to the compilation album Echoes: The Best of Pink Floyd, on which a much-edited version of the title track was included. In the compilation, multiple edits throughout the entire song cut the running length of the piece down by some 7 minutes.

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Pink Floyd - Is There Anybody Out There? The Wall Live 1980–81 (2000)



Quality: 256 Kbps

Disc One

1. "MC:Atmos" (called "Master of Ceremonies" on original North American 2000 CD release) – 1:13
2. "In the Flesh?" – 3:00
3. "The Thin Ice" – 2:49
4. "Another Brick in the Wall (Part I)" – 4:13
5. "The Happiest Days of Our Lives" – 1:40
6. "Another Brick in the Wall (Part II)" – 6:19
7. "Mother" – 7:54
8. "Goodbye Blue Sky" – 3:15
9. "Empty Spaces" – 2:14
10. "What Shall We Do Now?" – 1:40
11. "Young Lust" (Waters, David Gilmour) – 5:17
12. "One of My Turns" – 3:41
13. "Don't Leave Me Now" – 4:08
14. "Another Brick in the Wall (Part III)" – 1:15
15. "The Last Few Bricks" (Waters, Gilmour) – 3:26
16. "Goodbye Cruel World" – 1:41

Disc Two

1. "Hey You" – 4:55
2. "Is There Anybody Out There?" – 3:09
3. "Nobody Home" – 3:15
4. "Vera" – 1:27
5. "Bring the Boys Back Home" – 1:20
6. "Comfortably Numb" (Gilmour/Waters) – 7:26
7. "The Show Must Go On" – 2:35
8. "MC:Atmos" (called "Master of Ceremonies" on original North American 2000 CD release) – 0:37
9. "In the Flesh" – 4:23
10. "Run Like Hell" (Gilmour, Waters) – 7:05
11. "Waiting for the Worms" – 4:14
12. "Stop" – 0:30
13. "The Trial" (Waters, Bob Ezrin) – 6:01
14. "Outside the Wall" – 4:27

Is There Anybody Out There? The Wall Live 1980-1981 is an album released by Pink Floyd in 2000. It is a live rendition of The Wall, recorded by James Guthrie, with tracks selected from the August 1980 and June 1981 performances at Earls Court in London.

The shows actually involved the construction of a wall on stage, throughout the first half of the show. Once it was finished, members of the band performed in small openings in the wall, atop the wall, in front of the wall, or even behind the wall.

The album artwork featured the life-masks of the four members of Pink Floyd at the time, which were worn by the "surrogate band" during the songs "In the Flesh?" and "In the Flesh".

Is There Anybody Out There? contains live versions of all the original songs along with two additional songs: "What Shall We Do Now?" and "The Last Few Bricks". "What Shall We Do Now?" was actually planned for the original album, but removed just before release (it was left on the lyric sheet for the original LP, but excised from future CD re-releases.) "The Last Few Bricks", on the other hand, was an instrumental bridge between "Another Brick in the Wall (Part III)" and "Goodbye Cruel World" which contained themes from "The Happiest Days of Our Lives", "Don't Leave Me Now", "Young Lust" (transposed down, from E to D), and "Empty Spaces"/"What Shall We Do Now?", and was played onstage to allow the bricklayers to lay a considerable number of bricks missing to almost completely seal off the stage before Roger Waters appeared in the last one-brick-wide space in the wall to sing "Goodbye Cruel World", and end the first part of the show. Interestingly, before the release of the live album, this bridge never had an official title. Fans called the track "Almost Gone" on some bootleg albums of the shows, but the official name – "The Last Few Bricks" – was not used at the shows in 1980-1981, and instead was suggested to Roger Waters by producer James Guthrie during the mixing of the live album. There are also two spoken tracks both titled "MC:Atmos" ("Master of Ceremonies" was the title on the first North American release), one occurring before "In the Flesh?" at the beginning of the album, and one before the reprise "In the Flesh", midway through the second half. These are performed by Gary Yudman, who was the MC for the Earls Court shows in 1980 and 1981 (he also MC'd the Nassau Coliseum performances of The Wall).

The tracks slightly differed from the album, primarily in terms of longer intros and extended solos. Due to the constraints of vinyl records, the band had been forced to severely edit many songs for the album, removing whole sections, many of which were restored in concert. "The Show Must Go On" had an extra verse that was deleted from the original studio recording (but included in the lyric sheet, even on the latest CD releases.) "Outside the Wall" was longer, not to mention re-arranged, with mandolin, clarinet, sleigh bells, and more natural-sounding vocal harmonies from the quartet of Joe Chemay, Jim Farber, Jim Haas, and John Joyce. (This would be the third official version of "Outside the Wall" available to the listener, following the extended orchestral version from the 1982 film.)

In July 2005, Is There Anybody Out There? was re-issued in the US and Canada. James Guthrie and Joel Plante supplied the label with new masters, and thus the mastering credit was changed from "Doug Sax and Gavin Lurssen" to Guthrie & Plante. The booklet features some songwriting updates and mentions that the MC: Atmos on disc one used a sample of ""We'll Meet Again" by Vera Lynn.

The album reached #19 on The Billboard 200 and went Platinum (signifying sales of half a million copies, as it is a double CD) in the US in May 2000.

This was the first (and only) Pink Floyd album which was not released on LP format. A limited edition vinyl picture disc was published a few months later, but it only included a few songs from the setlist.

* During the Wall shows, Roger Waters made a few remarks about both the inflatable pig and the audience itself before "Run Like Hell". What is heard on the live album is actually a mix of two different dates: June 15, 1981, and June 17, 1981, both at Earl's Court, London.
* At some shows, the "MC:Atmos" sections also included the announcement that people in the audience standing on their seats would be shot.
* During the actual shows, the keyboards were mixed louder than on the live album, so that there was a clear balance between the keyboards and the guitars. In the official release, the keyboards are lower in the mix.
* At the end of the recording, you can hear a fan for the group to play their hit song, Money. This is an allusion to Roger Waters' frustration at fans only wanting to hear them perform Money at live shows.[citation needed]
* The MC:Atmos section that introduces the show can actually be heard in the background audio during the "Stop" scene in Pink Floyd The Wall: The Movie. As the security guard enters to wash his hands in the washroom you can hear Gary Yudman doing his introduction welcoming the crowd to Earl's Court et al.

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Pink Floyd - In London 1966-1967 (1999)



Quality: 192 Kbps

1. "Interstellar Overdrive" –16:40
2. "Nick's Boogie" –11:50

London '66–'67 (London 1966–1967) is an EP, and also a film of Pink Floyd music, containing two "lost" tracks, a longer version of "Interstellar Overdrive" and "Nick's Boogie". These tracks were originally recorded for Peter Lorrimer Whitehead's film Tonite Let's All Make Love In London on January 11 and 12, 1967 and the former appeared in edited form on the soundtrack album, but were not issued in full until 1990 for the CD release of the movie soundtrack. They are the earliest Pink Floyd recordings available commercially.

The EP was originally issued in 1995, then reissued a decade later as a remastered CD and a DVD featuring the entire film plus excerpts from the original movie.

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Pink Floyd – Echoes, The Best of Pink Floyd (2001)



Quality: 320 Kbps

Disc one

1. "Astronomy Domine" – 4:10 (from The Piper at the Gates of Dawn, 1967)
2. "See Emily Play" – 2:47 (Single, also appeared on Relics and the original US and Japan releases from The Piper at the Gates of Dawn, 1967)
3. "The Happiest Days of Our Lives" – 1:38 (from The Wall, 1979)
4. "Another Brick in the Wall (Part 2)" – 4:01 (from The Wall, 1979)
5. "Echoes" – 16:30 (Edited version) (from Meddle, 1971)
6. "Hey You" – 4:39 (from The Wall, 1979)
7. "Marooned" – 2:02 (Edited version) (from The Division Bell, 1994)
* Only the first half of the track is present, the track fades out before the drums begin.
8. "The Great Gig in the Sky" – 4:39 (from Dark Side of the Moon, 1973)
9. "Set the Controls for the Heart of the Sun" – 5:20 (from A Saucerful of Secrets, 1968)
10. "Money" – 6:29 (from Dark Side of the Moon, 1973)
11. "Keep Talking" – 5:57 (from The Division Bell, 1994)
12. "Sheep" – 9:46 (early fade-out) (from Animals, 1977)
13. "Sorrow" – 8:45 (from A Momentary Lapse of Reason, 1987)

Disc two

1. "Shine On You Crazy Diamond (Parts 1-7)" – 17:32 (from Wish You Were Here, 1975)
* An edited version incorporating both halves of the song.
2. "Time" (w/ "Breathe (Reprise)") – 6:48 (from Dark Side of the Moon, 1973)
3. "The Fletcher Memorial Home" – 4:07 (from The Final Cut, 1983)
4. "Comfortably Numb" – 6:53 (from The Wall, 1979)
* On this collection, the track is lengthened to include part of "Bring the Boys Back Home".
5. "When the Tigers Broke Free" – 3:42 (from the film version of The Wall, also appears on 2004 remaster of The Final Cut, 1983)
6. "One of These Days" – 5:14 (abridged) (from Meddle, 1971)
7. "Us and Them" – 7:51 (from Dark Side of the Moon, 1973)
8. "Learning to Fly" – 4:50 (from A Momentary Lapse of Reason, 1987)
9. "Arnold Layne" – 2:52 (non-album single, 1967; appears on Relics, 1971)
10. "Wish You Were Here" – 5:20 (from Wish You Were Here, 1975)
11. "Jugband Blues" – 2:56 (from A Saucerful of Secrets, 1968)
12. "High Hopes" – 6:59 (abridged) (from The Division Bell, 1994)
13. "Bike" – 3:24 (from The Piper at the Gates of Dawn, 1967)

Echoes: The Best of Pink Floyd is a compilation album by Pink Floyd. It was released on November 5, 2001 in the UK and November 6, 2001 in the U.S. It debuted on the Billboard 200 album chart on November 24, 2001, at number 2 with sales of 214,650 copies. It remained on the chart for 26 weeks. The album was certified Gold, Platinum and Double Platinum on December 6, 2001 in the U.S. by the RIAA. It was certified Triple Platinum in the U.S. by the RIAA on January 8, 2002, and Quadruple platinum on September 10, 2007 by the RIAA. However, this only indicates sales of two million copies, not four million, as it is a double album.

Echoes is the first album released on Compact Disc that includes "When the Tigers Broke Free", which appeared in the film version of The Wall (the song later appeared on the 2004 re-release of The Final Cut in a slightly re-mixed form).

The compilation spans the career of Pink Floyd from their first single "Arnold Layne" in 1967, through to "High Hopes", the final track from their 1994 studio album The Division Bell. Four of their albums (Soundtrack from the Film More, Ummagumma, Atom Heart Mother, and Obscured by Clouds) are not represented whatsoever, although several tracks from Ummagumma and Atom Heart Mother were considered for inclusion. Each of the twenty-six tracks fades from one to the next with no break in the music, courtesy of longtime producer-engineer James Guthrie. This was done to help recreate the concept-album feel of the band's mid-period work. All twenty-six tracks were newly remastered specifically for this compilation and are not sequenced in chronological order.

Storm Thorgerson, best known for creating the majority of album covers for Pink Floyd, worked with the band Dream Theater on their 1997 album Falling into Infinity and submitted to the band two sketches for possible covers. One became the cover that was used on the release. The second, rejected by the band, ended up being used by Pink Floyd for Echoes four years later. The two original sketches are framed and hanging in the home of Dream Theater drummer Mike Portnoy and is pointed out by Mike in his Hudson Music instructional drum DVD In Constant Motion.

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Pink Floyd - Delicate Sounds of Thunder (1988)



Quality: 320 Kbps

Disc one

1. "Shine On You Crazy Diamond", Pts. 1-5 (David Gilmour, Richard Wright, Roger Waters) – 11:54
* Originally from Wish You Were Here
2. "Learning to Fly" (Gilmour, Anthony Moore, Bob Ezrin, Jon Carin) – 5:27
* Originally from A Momentary Lapse of Reason
3. "Yet Another Movie" (Gilmour, Patrick Leonard) – 6:21
* Originally from A Momentary Lapse of Reason
4. "Round and Around" (Gilmour) – 0:33
* Originally from A Momentary Lapse of Reason
* Instrumental
5. "Sorrow" (Gilmour) – 9:28
* Originally from A Momentary Lapse of Reason
6. "The Dogs of War" (Gilmour, Moore) – 7:19
* Originally from A Momentary Lapse of Reason
7. "On the Turning Away" (Gilmour, Moore) – 7:57
* Originally from A Momentary Lapse of Reason

Disc two

1. "One of These Days" (Gilmour, Wright, Nick Mason, Waters) – 6:16
* Originally from Meddle
* Instrumental aside from Nick Mason's spoken line, "One of these days, I'm going to cut you into little pieces"
2. "Time" (Gilmour, Wright, Mason, Waters) – 5:16
* Originally from The Dark Side of the Moon
* Lead vocals: Gilmour and Wright
3. "Wish You Were Here" (Gilmour, Waters) – 4:49
* Originally from Wish You Were Here
4. "Us and Them" (Wright, Waters) – 7:22
* Originally from The Dark Side of the Moon
* The LP version does not include this track.
5. "Money" (Waters) – 9:52
* Originally from The Dark Side of the Moon
6. "Another Brick in the Wall (Part 2)" (Waters) – 5:29
* Originally from The Wall
7. "Comfortably Numb" (Gilmour, Waters) – 8:56
* Originally from The Wall
* Lead Vocals: Jon Carin, Guy Pratt, and Richard Wright (verses); Gilmour (choruses)
8. "Run Like Hell" (Gilmour, Waters) – 7:12
* Originally from The Wall
* Lead vocals: Gilmour and Guy Pratt

Delicate Sound of Thunder is a Pink Floyd live double album from the David Gilmour-led era of the band which was recorded over five nights at the Nassau Coliseum on Long Island, New York in August 1988 and mixed at Abbey Road Studios in September 1988.

The band recorded and filmed their series of shows at the Omni Coliseum in Atlanta, Georgia in November 1987 for a potential live concert film and album. However, the band were not happy with the results. Consequently, the material from these shows would make up videos and B-sides for the A Momentary Lapse of Reason singles and later these shows were released as a bootleg recording entitled Pink Floyd: The Calhoun Tapes. Then in August 1988, the band went to Nassau Coliseum and filmed and recorded their five night stand for Delicate Sound of Thunder at the end of the initial Momentary Lapse 1987/88 tour.

The album was released in 1988 as a double LP, double cassette, and a double CD, each format containing a slightly different track listing. The album includes many works from A Momentary Lapse of Reason as well as quite a few from older albums. The double LP format did not have "Us and Them" on the track listing. Both the double LP and the double cassette had "Wish You Were Here" between "Another Brick in the Wall (Part 2)" and "Comfortably Numb".

Although David Gilmour stated around the time of its release and on a radio interview in 1992 that the album contained no studio overdubbing whatsoever, he embellished the tracks during mixing with some extra acoustic guitar on "Comfortably Numb", according to engineer Buford Jones. In addition, some harmonies were replaced by studio re-takes: Richard Wright re-did his vocal on "Us and Them" and Sam Brown replaced Rachel Fury's part in "Comfortably Numb".

An accompanying video recording of one of the concerts was also released.

Delicate Sound of Thunder (the album) reached #11 on the Billboard 200 and is currently listed as Triple Platinum in U.S. sales — it was certified Gold and Platinum on January 23, 1989 and Triple Platinum in April 1997.

Delicate Sound of Thunder became the first rock album to be played in space, as Soviet cosmonauts took it aboard Soyuz TM-7. They left the cassette box on Earth to save weight. The members of Pink Floyd were present at the launch. The double LP was also the band's only album to be officially released in the Soviet Union by the state-owned label Melodiya.

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