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Cannes Golden Palm Movie Collection - Kolekcija filmova dobitnika Zlatne Palme u Kanu

Ova tema je vezana za Cannes Golden Palm Movie Collection - Kolekcija filmova dobitnika Zlatne Palme u Kanu pod forumom Filmske Kolekcije, i deo je foruma Filmovi i Serije

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Staro 15-08-2009, 19:36   #1
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Uobičajeno Cannes Golden Palm Movie Collection - Kolekcija filmova dobitnika Zlatne Palme u Kanu

Ovo je tema u kojoj možete naći filmove, Dobitnike Zlatne Palme u Kanu

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Festival je smišljen 1939. godine "u inat" venecijanskom, koji je bio pod uticajem fašista. Prvi put je održan 1946. godine, a tokom 61 godine, bio je otkazan samo tri puta - od 1948. do 1950. godine, i to zbog nedostatka novca.

Prvih nekoliko godina, Kan je, među slavnima, prolazio prilično nezapaženo. Tek od 1949. godine, filmske zvezde počele su da dolaze na Kroazetu, pa su se te godine "crvenim tepihom" prošetali Tajron Pauer, Orson Vels, Erol Flin i drugi.

Slavna "BB", Brižit Bardo, počastila je Kan svojim prisustvom prvi put 1953. godine.

Mnogi misle da su toples fotke slavnih samo način da izmame pažnju. Ovaj trend potekao je od starlete Simone Silve, koja je 1954. skinula gornji deo bikinija i bacila ga pred Roberta Mičama. Može se reći da je Silva lansirala trend, na kojem će mnoge glumice decenijama kasnije zasnivati karijeru...


Prva žena koja je osvojila Zlatnu palmu bila je rediteljka Džejn Kempion, kojoj je priznanje pripalo 1993. godine, za dramu "Klavir".

Možda "najjače" od svih priznanja ikada dodeljenih u Kanu je "Palma svih palmi", koja je dodeljena Ingmaru Bergmanu 1997. godine. Međutim, švedski režiser nije se pojavio da je primi.




Spisak filmova na forumu, Dobitnika Zlatne Palme u Kanu


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1939.
Union Pacific (1939)

1944.
Hets (1944)
Maria Candelaria (1944)

1945.
Velikiy Perelom (1945)

1946.
Brief Encounter (1945)

1949.

The Third Man (1949)

1951.
Miracolo a Milano (1951)
Froken Julie (1951)

1952.
The Tragedy of Othello: The Moor of Venice (1952)
Due soldi di speranza (1952)

1953.
Le Salaire de la peur (1953)


1954.
Jigokumon (1954)

1955.
Marty (1955)

1956.
Le Monde du silence (1956)

1957.
Friendly Persuasion (1956)

1958.
Letyat zhuravli (1957)

1959.
Orfeu Negro (1959)

1960.
La Dolce Vita (1960)

1961.
Viridiana (1961)

1962.
O Pagador de Promessas (1962)

1963.
Il Gattopardo (1963)

1964.
Les Parapluies de Cherbourg (1964)

1965.
The Knack .... and How to Get It (1965)

1966.
Un homme et une femme (1966)

Signori & signore (1966)

1967.
Blowup (1966)

1969.
If ..... (1968)

1970.
MASH (1970)

1971.
The Go-Between (1970)

1972.
Il Caso Mattei (1972)

1973.
Scarecrow (1973)

1974.

The Conversation (1974)

1975.
Taxi Driver (1975)

1977.
Padre padrone (1977)

1978.
L'albergo degli zoccoli (1978)

1979.
Die Blechtrommel (1979)
Apocalypse Now (1979)

1980.
Kagemusha (1980)
All That Jazz (1979)

1981.
Czlowiek z zelaza (1981)

1982.
Missing (1992)
Yol (1982)


1983.
Narayama bushiko (1983)

1984.
Paris, Texas (1984)

1985.
Otac na sluzbenom putu (1985)

1986.
The Mission (1986)

1987.
Sous le soleid de Satan (1987)

1988.
Pelle erobreren (1987)

1989.
Sex, Lies, and Videotape (1989)

1990.
Wild at heart (1990)

1991.
Barton Fink (1991)

1992.
Den goda vijan (1992)

1993.
The Pijano (1993)
Ba wang bie ji (Farewell My Concubine) (1993)

1994.
Pulp Fiction (1994)

1995.
Underground (1995)

1996.
Secret & Lies (1996)

1997.
Unagi (1997)
Ta'm e guliass (1997)

1998.
Mia aioniotita kai mia mera (1998)

1999.
Rosetta (1999)

2000.
Dancer in the Dark (2000)

2001.
La stanza del figlio (2001)

2002.
The Pianist (2002)

2003.
Elephant (2003)

2004.
Fahrenheit 9/11 (2004)

2005.
l'enfant (2005)

2006.
The Wind That Shakes the Barley (2006)

2007.
4 luni, 3 saptamani si 2 zile (2008)

2008.
Entre les murs (2008)









Poslednji izmenio Bubica; 22-08-2009 u 06:16..
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Staro 15-08-2009, 19:54   #2
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Pohvaljen 177 Puta u 116 Posta

Dosadasnje nagrade

Uobičajeno 1939--> Union Pacific (1939)

1939--> Union Pacific (1939)



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Citat:
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?


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Poslednji izmenio Hermes; 17-08-2009 u 01:01..
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Staro 15-08-2009, 20:30   #3
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Datum registracije: Jun 2009
Broj postova: 591
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Pohvaljen 177 Puta u 116 Posta

Dosadasnje nagrade

Uobičajeno 1945--> Velikiy perelom (1945)

1945--> Velikiy perelom (1945)



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Citat:
World War II. German high command accumulates enormous forces for the assault. Soviet troops commanded by General Muravyov repulse the enemy attacks. Soviet army scouts find out the exact day and time of the decisive offensive. Muravyov is determined to forestall the Nazis and plasters the enemy with fire. All is quiet. Will the fascist troops weakened by the surprise fire begin their offensive or put off the attack?
The Turning Point is a Soviet 1945 film directed by Fridrikh Ermler based on a screenplay by Boris Chirskov. The film was one of the earlier Palme d'Or winners of 1946. Film was restored in 1967 by Lenfilm.


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Poslednji izmenio Hermes; 17-08-2009 u 01:02..
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Staro 15-08-2009, 20:43   #4
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Broj postova: 591
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Pohvaljen 177 Puta u 116 Posta

Dosadasnje nagrade

Uobičajeno 1944--> María Candelaria (1944)

1944--> María Candelaria (1944)

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Citat:
Lorenzo Rafael (played by Pedro Armendáriz) is living with María Candelaria (Dolores Del Río) and they plan to get married until tragedy occurs as she gets ill and Lorenzo Rafael has to break in to a store and steals medicine and a dress for Maria for their wedding day. The owner of the store: Don Damián (Miguel Inclán) wants Maria for him, and incarcerates Lorenzo Rafael. Maria tries to get money to put Lorenzo out of jail as she poses for a painter in Xochimilco, but a confusion implodes tragic events.



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Poslednji izmenio Hermes; 17-08-2009 u 01:04..
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Staro 15-08-2009, 20:50   #5
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Dosadasnje nagrade

Uobičajeno 1944--> Hets (1944)

1944--> Hets (1944)



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Citat:
Ingmar Bergman's first screenplay tells the disturbing tale of a young student, his sadistic teacher and the girl they both love. When the student finds his love murdered by the older man, he calls the police. But the teacher is released and takes his revenge by expelling the student. Left with his memories, the student departs with only bitterness and hatred for his mentors.


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Poslednji izmenio Hermes; 16-08-2009 u 07:35..
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Staro 15-08-2009, 21:14   #6
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Dosadasnje nagrade

Uobičajeno 1946 --> Brief Encounter (1945)

1946--> Brief Encounter (1946)




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Citat:
Forget what you've heard. "Brief Encounter" is an extremely violent film. In fact, it is a violence that no Tarantino or Guy Ritchie could ever come close to. Celia Johnson, as its heroine, Laura, says as much herself: "I've fallen in love. I'm an ordinary woman. I didn't think such violent things could happen to ordinary people."

One of the first British films to have praise heaped on it abroad, it is shot in noirish black and white to the music of Rachmaninov. David Lean ably directed Noel Coward's script for this intensely passionate film in which almost nothing happens. In short, Laura gets a piece of grit in her eye (those beastly trains!) and falls desperately in love with the kind stranger (Trevor Howard) who removes it. Romance follows over a series of chance, then planned, meetings all given drama by the emphasis on their brevity.

It is told in flashback in an imaginary confession to her husband (Cyril Raymond) whom she dares not tell out of profound compassion. Without the insight her narration gives we would perhaps see nothing at all in the railway station buffet where both Stanley Holloway and Joyce Carey remind us of the invasive triviality of the everyday with a suspicious intimation that the lower classes have no emotional life.

If you can stomach this and the excruciatingly affected portrayal of the English middle classes, you'll have, at the very least, a lump in your throat. Less cynical souls will weep buckets.


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Poslednji izmenio Hermes; 17-08-2009 u 01:11..
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Staro 15-08-2009, 21:38   #7
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Dosadasnje nagrade

Uobičajeno 1949--> The Third Man (1949)

1949--> The Third Man (1949)




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Citat:
Set in bombed-out, post-war Vienna, Holly Martins, a writer of pulp Westerns arrives as a penniless guest of his childhood chum Harry Lime, only to find him dead. Martins develops the ultimate conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from investigating British officer Major Calloway and falling head-over-heels for Harry's grief-stricken lover, Anna.


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Poslednji izmenio Hermes; 16-08-2009 u 07:34..
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Staro 15-08-2009, 23:18   #8
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Dosadasnje nagrade

Uobičajeno 1951--> Miracolo a Milano (1951)

1951--> Miracolo a Milano (1951)




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Citat:
The story begins, as do all good fables, with the words "Once upon a time". Young Toto (Francesco Golisano) is discovered in a cabbage patch by an elderly woman. She raises and tutors him. At her death he is put into an orphanage. He leaves the orphanage with a positive attitude towards life and an irrepressible smile. After an incident when his bag is stolen he comes into contact with a member of Milan's poor who offers him a bed for the night in a tent land on the outskirts of town. The presence of Toto energises the homeless community and when the tents are destroyed in a wind storm, the residents are galvanised into building a small shanty town. Against this down-and-out backdrop de Sica throws some greedy landowners and the film becomes something of a battle between the rich and the poor. Not only has Toto got a magical soul, but through divine intervention he receives the power to grant real wishes, a focus of the last third of the movie. The power is a great gift but it comes with its own problems.
This is not simply a film about the trauma of poverty in post-war Italy. Although principally a comedy there are times where, almost surreptitiously, it becomes a stinging indictment on behaviour of the big business after the war. The poor go about their little lives with a modicum of dignity and a honesty, but once oil is discovered in the shanty town big business sets out to protect its own interest at the expense of this well-ordered society.


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Poslednji izmenio Hermes; 16-08-2009 u 07:33..
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Staro 15-08-2009, 23:38   #9
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Pohvaljen 177 Puta u 116 Posta

Dosadasnje nagrade

Uobičajeno 1951--> Fröken Julie (1951)

1951--> Fröken Julie (1951)




Kod:
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Citat:
Midsummer night, 1894, in northern Sweden. The complex strictures of class bind a man and a woman. Miss Julie, the inexperienced but imperious daughter of the manor, deigns to dance at the servants' party. She's also drawn to Jean, a footman who has traveled, speaks well, and doesn't kowtow. He is engaged to Christine, a servant, and while she sleeps, Jean and Miss Julie talk through the night in the kitchen. For part of the night it's a power struggle, for part it's the baring of souls, and by dawn, they want to break the chains of class and leave Sweden together. When Christine wakes and goes off to church, Jean and Miss Julie have their own decisions to make.


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Kod:
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Poslednji izmenio Hermes; 17-08-2009 u 01:12..
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Staro 15-08-2009, 23:59   #10
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Broj postova: 591
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Dosadasnje nagrade

Uobičajeno 1952--> The Tragedy of Othello: The Moor of Venice (1952)

1952--> The Tragedy of Othello: The Moor of Venice (1952)




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Citat:
Runtime:93 min (TCM print)
Country: USA | Italy | France | Morocco
Language: English
Color: Black and White
Release Date: June 1955 (USA)
Genre: Drama

Directed by:
Orson Welles

Writing credits:
(in alphabetical order)
Jean Sacha uncredited
William Shakespeare play
Orson Welles uncredited

Cast:
Orson Welles … Othello
Micheбl MacLiammуir … Iago
Robert Coote … Roderigo
Suzanne Cloutier … Desdemona
Hilton Edwards … Brabantio
Nicholas Bruce … Lodovico
Michael Laurence … Michael Cassio
Fay Compton … Emilia
Doris Dowling … Bianca


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Koristi HJ spliter za spajanje.

Poslednji izmenio Hermes; 16-08-2009 u 07:32..
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