Cannes Golden Palm Movie Collection - Kolekcija filmova dobitnika Zlatne Palme u Kanu

1983--> Narayama bushiko (1983)

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Comedy / Drama
Plot Summary: In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die...

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1984--> Paris, Texas (1984)

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A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his wife and son four years before. As his memory returns, he makes contact with various people from his past.

Wim Wenders’ beautiful road movie is an affecting mix of both European and American sensibilities. Wenders and his cinematographer Robby Müller (the former German, the latter Dutch) see an America that its natives probably take for granted; they are fascinated by giant elevated freeways that rise out of the desert and by steely skyscrapers reflecting the dazzling Texas sun. Sam Shepard’s script and Ry Cooder’s haunting slide guitar score give the film its roots, but as integral as the setting is to the film (the title refers to a small Texan town in which Travis believes he was conceived), it is the pain and loss of these characters that most interest the director.

Travis is a man that we get to know slowly. We’re some 20 minutes in before Harry Dean Stanton actually has any dialogue, and even when he comes to Walt and Anne’s home and begins to talk, it is he who seems like a child, not his son. But as Travis gradually gets to know Hunter, we see a connection far stronger than the one that Walt has with the boy and understand why he must take his son on the road with him to locate Jane. Finally, when Travis does find her, working in a strip club on the outskirts of Houston, Stanton delivers one of cinema’s greatest monologues, the eight minute summation of the couple’s life together that begins “I know these people...” This heart-breaking scene is a world away from the grand American landscapes that have dominated the rest of the film; Travis and Jane sit in a small peep-show booth, separated by a one way mirror, Jane unable to see the husband she left five years earlier, Travis turned away from her, unwilling to look upon the face of the woman whom he loved so deeply so long ago.

The film is perfectly cast, and while Stanton dominates the film, Dean Stockwell is also effective as the brother torn between love for his brother and fear that his return will mean that he and his wife may lose a child that they have raised as their own son. Hunter Carson is that rare thing – a good eight-year-old actor, while Nastassja Kinski is so beautiful that you truly believe that Travis could have been driven nuts with jealous desire. The ending is the probably the happiest possible outcome for these characters, and yet also desperately sad – it reminded me very much of the final moments of John Ford’s The Searchers. Paris, Texas is easily Wenders' best film, and a masterpiece of loss and regret.

Cast :
Harry Dean Stanton ... Travis Henderson
Sam Berry ... Gas Station Attendant
Bernhard Wicki ... Doctor Ulmer
Dean Stockwell ... Walt Henderson
Aurore Clément ... Anne Henderson (as Aurore Clement)
Claresie Mobley ... Car Rental Clerk
Hunter Carson ... Hunter Henderson
Viva ... Woman on TV (as Viva Auder)
Socorro Valdez ... Carmelita
Edward Fayton ... Hunter's Friend
Justin Hogg ... Hunter - Age 3
Nastassja Kinski ... Jane Henderson
Tom Farrell ... Screaming Man
John Lurie ... Slater
Jeni Vici ... Stretch

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1985--> Otac na sluzbenom putu (1985)

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Kratak opis filma: Prica o decaku kroz ciju se svest i osecanja prelamaju
burne pedesete godine. Vreme u kojem živi nije naklonjeno ni njemu ni
njegovom ocu, zaposlenom u Ministarstvu rada. Splet intriga dovodi oca
u zatvor. On je jedan od ondašnjih uhapšenika cija krivica nikad nije
utvrdena. Žrtva je vremena u kojem se Jugoslavija, odupiruci se naletu
staljinistickog dogmatizma, našla u situaciji da pocini greške. Decak
postaje svedok mnogih konfliktnih situacija. Nikad nece otkriti ujakovu
ulogu u ocevom hapšenju, a nece saznati ni to da je žena koja mu je
poklonila toliko željenu fudbalsku loptu prouzrokovala nesrecu njegove
porodice...

Producent: Forum, Sarajevo, Sutjeska film, Sarajevo, Kinema, Sarajevo, Union film, Beograd
Scenario: Abdulah Sidran
Muzika: Zoran Simjanovic
Snimatelj: Vilko Filac
Scenografija: Predrag Lukovac
Zemlja porekla: Jugoslavija, Bosna i Hercegovina, Srbija
Montaža: Andrija Zafranovic
Trajanje: 125 minuta
Tehnika: Widescreen, kolor
Prvo prikazivanje: 15.1.1985.

Glume:
Ace Đorčev
Amer Kapetanović
Davor Dujmović
Emir Hadžihafizbegović
Eva Balaš (Ras)
Mira Furlan
Mirjana Karanović
Moreno de Bartolli
Mustafa Nadarević
Pavle Vuisić
Predrag (Miki) Manojlović
Predrag Laković
Silvija Puharić
Slobodan Aligrudić
Tomislav Gelić

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1987--> Sous le soleil de Satan (1987)

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1926, in a rural French village. An inexperienced Catholic priest, Donissan, has doubts about his suitability for the priesthood. He encounters Mouchette, a 16 year old girl who has recently murdered the marquis de Cadignan, one of her illicit lovers. Donissan sees the Devil in Mouchette and taunts the young girl, who soon after kills herself. It is the first step in Donissan’s painful journey towards grace...

Winner of the coveted Palme d’or at the 1987 Cannes film festival, Sous le soleil de satan is a film which, much like its director, Maurice Pialat, continues to arouse controversy and divide the critics. Some regard the film as a masterpiece, an intensely spiritual film which tackles the complex themes of religious belief, redemption and divinity with remarkable lucidity and power. Many others, however, take a different view, some dismissing it as emotionless, contrived and lacking both conviction and interest value.
It is certainly a very difficult film to sit through. The film is heavy in dialogue, most of which consists of philosophical discussions which are quite difficult to follow. As a result, the film lacks humanity and, to many, will appear pretentious, lumbering and unforgivably introspective. For others, the intelligent dialogue will be spell-binding, particularly as it is accompanied by some fine performances, most notably from Depardieu and Bonnaire.
The film’s most memorable feature is the extraordinary photography, particularly the location scenes shot in rural France. The raw barrenness of the setting provides an appropriate backdrop against which to set the inner torment of a priest searching to find meaning in his ministry. Here at least the film displays an undeniable touch of genius.

Director: Maurice Pialat
Cast:
Gérard Depardieu (Donissan),
Sandrine Bonnaire (Mouchette),
Maurice Pialat (Menou-Segrais),
Alain Artur (Cadignan), Yann Dedet (Gallet),
Brigitte Legendre (Mouchette's Mother),
Jean-Claude Bourlat (Malorthy),
Jean-Christophe Bouvet (Horse Dealer),
Philippe Pallut (Quarryman),
Marcel Anselin (Bishop Gerbier),
Yvette Lavogez (Marthe),
Pierre D'Hoffelize (Havret).

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1988--> Pelle erobreren (1987)

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The end of the 19th century. A boat filled with Swedish emigrants comes to the Danish island of Bornholm. Among them are Lasse and his son Pelle who move to Denmark to find work. They find employment at a large farm, but are treated as the lowest form of life. Pelle starts to speak Danish but is still harassed as a foreigner. But none of them wants to give up their dream of finding a better life than the life they left in Sweden.

Hotlinked Image Killed - THE PATHOLOGIST
Pelle Erobreren & Pelle the Conqueror -1987 - Ing - DivX
Directed by: Bille August
Genre: Drama
User Rating: 7.8/10 (2,795 votes)
Runtime: 157 min

Awards: Won Oscar. Another 20 wins & 4 nominations

Cast (first 5):
Erik Paaske,
Astrid Villaume,
Troels Asmussen,
Karen Wegener

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1989--> Sex, Lies, and Videotape (1989)

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The movie explores the sexual shenanigans and personal preoccupations of its four central characters, revolving around a selfish lawyer (Peter Gallagher) who responds to his wife by having an affair with her free-spirited sister (Laura San Giacomo). But when the lawyer's college roommate (James Spader) arrives for an unexpectedly extended visit, the neglected wife (Andie MacDowell) is surprisingly responsive to his seductive hobby of videotaping women as they describe their sexual fantasies. It's his way of compensating for impotence, but the curious wife considers this a sexual challenge, and Soderbergh turns sex, lies, and videotape into a fascinating chamber piece that puts a decidedly different spin on the consequences of infidelity. Balanced on a risky and finely tuned performance by Spader, the film delivers frisky passion and emotional intrigue, and yet much of its allure is found in the exchange of secrets and the hidden mysteries of sexual desire.

Genre: Drama
Runtime:- 100 mins (Widescreen)
Language:- English
Director:- Steven Soderbergh
Writer:- Steven Soderbergh

Cast:-
James Spader,
Andie MacDowell,
Peter Gallagher,
Laura San Giacomo,
Ron Vawter, Steven Brill,
Alexandra Root,
Earl T. Taylor,
David Foil

The film won the Palme d'Or at the Cannes Film Festival, with Spader getting the Best Actor Award for that same festival. It also won an Audience Award at the Sundance Film Festival. Soderbergh was nominated for an Academy Award for his screenplay.

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Wild at Heart (1990)

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Young lovers Sailor and Lula take off for New Orleans following Sailor's release from prison, with Lula's hysterical mother, a weary detective and a sinister hitman after them. During their journey, Lula and Sailor relate the events of their lives to date, while encountering a typical gallery of Lynch grotesques. After being stranded in a small town, Sailor agrees to join the loathsome Bobby Peru in a criminal venture.

17 Aug 1990 (USA)
Réalisé par David LYNCH

Cast
Nicolas Cage,
Laura Dern,
Willem Dafoe,
J.E. Freeman,
Crispin Glover,
Diane Ladd, Calvin
Lockhart,
Isabella Rossellini

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Barton Fink (1991)

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In 1941, New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle, Barton develops severe writer's block. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task.

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The Piano (1993)

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This controversially erotic film from New Zealand established screenwriter-director Jane Campion as a universally recognized talent. Holly Hunter stars as Ada, a mute 19th-century woman sent to New Zealand in an arranged marriage with a patriarchal landowner (Sam Neill). She brings along her daughter, Flora (Anna Paquin), and tries to also bring her beloved piano, much to the consternation of her new husband, who abandons the piano on a beach. Artistically and emotionally frustrated, Ada finds herself experiencing an erotic awakening when Baines (Harvey Keitel), an illiterate settler covered with Maori tattoos, rescues her piano, buys it from her husband, then strikes a strange bargain with Ada that gradually leads to her sexual awakening--and to an explosive confrontation. Jaw-droppingly beautfiul with its purple and green palette of untamed New Zealand scenery, THE PIANO is both a ravishing love story and a psychosexual fairy tale on a par with WUTHERING HEIGHTS and JANE EYRE. Featuring a haunting piano score by Michael Nyman and brilliant performances, THE PIANO is a masterpiece, considered one of the best films of the 1990s.

Genres: Drama and Romance

MPAA Rating: R

Starring: Holly Hunter, Harvey Keitel, Sam Neill, Anna Paquin, Kerry Walker


Directed by: Colin Englert, Jane Campion, Colin Englert


Produced by: Alain Depardieu, Jan Chapman, Mark Turnbull

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